We have created indoor installations inside museums, like the Wrapped Floor at the Museum of Contemporary Art in Chicago in 1968, and not monumental at all by any standards.
Christo

New York is our home.
Christo

It appears to be monumental only because it's art.
Christo

But the drawings are not created only to be sold.
Christo

Now, there is no way to say how long some projects take, that's our principle.
Christo

We wish to work in total freedom.
Christo

And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified.
Christo

Our work is a scream of freedom.
Christo