It's the biggest party in the world, and you have to keep the whole thing percolating, which is difficult because a lot of awards most people don't care about.
Bruce Vilanch

I do a lot of screen re-writing.
Bruce Vilanch

Generally with the Oscars or the Emmys there isn't much you can do until the nominations are announced. Then you know what kind of year you're dealing with - what's been overlooked, what the issues are.
Bruce Vilanch

I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee.
Bruce Vilanch

I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
Bruce Vilanch

They make a humongous profit, but the people that work on the shows don't get paid a lot because they're working on the Oscars show. It's the biggest show in the world.
Bruce Vilanch

I write screenplays that don't get made and pilots that don't get picked up, and I re-write other people's movies, and those are all different kinds of fees.
Bruce Vilanch