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Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
Maybe you weren't born with a silver spoon in your mouth, but like every American, you carry a deed to 635 million acres of public lands. That's right. Even if you don't own a house or the latest computer on the market, you own Yosemite, Yellowstone, the Grand Canyon, Golden Gate National Recreation Area, and many other natural treasures.
A perfect day would be to get into the car, drive out to Yosemite and go camping.
Already renewable energy advocates are noting that the 42 miles of above-ground right-of-way between Yosemite and the city could be fitted with enough solar panels to generate at least 40 megawatts per year - a proposal the San Francisco Public Utilities Commission has never seriously considered because they currently aren't required to do so.
A lot of people think that when you have grand scenery, such as you have in Yosemite, that photography must be easy.
Some of the natural world is appealing, some of it is terrifying, and some of it grosses us out. Modern people don't want to be dropped naked into a swamp. We want to tour Yosemite with our water bottles and G.P.S. devices. The natural world is a source of happiness and fulfillment, but only when prescribed in the right doses.
I began taking pictures in the natural world to be able to show people what I was experiencing when I climbed and explored in Yosemite in the High Sierra.
I went to Yosemite as an homage to Ansel Adams. I could never be Ansel Adams, but to know that's there for us - there's so much for us in this country.
I am free to confess that I am disappointed with the Yosemite valley. It seems only about one-half as grand as the American Fork canyon.
Heber J. Grant
I used to take my mother to Yosemite. When I turned 14, I got my driver's license, and that's where she'd want to go, so I'd go take her there for two weeks.
I took a workshop from him a few months after that. That experience changed my whole approach to photography. At that workshop in Yosemite in 1973 I decided I wanted to try and see if I could pursue this for myself, and I'm still trying.
'Yosemite' opened doors for me in the New York theater community in amazing ways. There's a whole world of fearless young theater makers here who put shows together on a shoestring budget and with gigantic hearts.
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