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I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
English is an outrageous tangle of those derivations and other multifarious linguistic influences, from Yiddish to Shoshone, which has grown up around a gnarly core of chewy, clangorous yawps derived from ancestors who painted themselves blue to frighten their enemies.
Roy Blount, Jr.
The prejudice is still there, but it's breaking down. You have writers like Michael Chabon and The Yiddish Policemen's Union. He's a writer who's determined to break down genre barriers. He's done amazing things.
George R. R. Martin
The one thing an audience always has in common with a comedian is troubles. The Yiddish word for that is tsuris. You're always putting your tsuris on stage whether you like it or not. No one is untroubled, unless they're just, you know, an imbecile.
At age 11, I went to a Jewish school. I speak Yiddish. I'm Church of England Protestant. My father was Catholic, and my mother was Protestant. My wife is a Muslim.
My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.
Michael Chabon has long moved easily between the playful, heartfelt realism of novels like 'The Mysteries of Pittsburgh' and 'Wonder Boys' and his playful, heartfelt, more fantastical novels like 'The Amazing Adventures of Kavalier & Clay' and 'The Yiddish Policemen's Union.'
It's self-effacing, it's hard-luck, the shtetl stories. All those Coasters things are an amalgam of Yiddish and black humor.
I was raised to be kind. My parents were underdogs. Immigrant Jews. I spoke with an accent. I didn't speak English even - I spoke French and Yiddish mostly. I was picked on.
My dad knows every single accent from being an old Yiddish grandpa to being Indian or Jamaican. It was very cool to grow up with that.
I am determined to give the Yiddish language a fighting chance to survive.
Well, I like how people talk. I like language. You know, Linda Richman spoke in Yiddish.
Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
My sister and I used to act as maids and waitresses at my great aunt and uncle's cocktail parties, which were very much sort of retired, minor stars of the Yiddish theater and the Yiddish opera.
I'm Italian, but some people think I'm Jewish because I work the Yiddish. I also work the Italian, by the way.
Isaac Singer always wrote in Yiddish. He was so unsure of his English at the beginning that he was easy to edit and he learned fast.
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