Quote of the Day
Workshops and seminars are basically financial speed dating for clueless people.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
Third, for people who aren't doing it already, take classes - they're worthwhile. Workshops or classes - a workshop is where you do actually get feedback on your work, not just something where you go and sit for a day.
Strip the proud nobility of their bloated estates, reduce them to a level with plain republicans, send forth to labor, and teach their children to enter the workshops or handle the plow, and you will thus humble proud traitors.
The reason I do workshops is so I can learn, and I am fortunate that I've probably gained more from the whole experience of teaching than any one participant has. It is all about asking.
I wouldn't just come home from school and watch TV everyday, they had me involved in lots of local theatre. I was a very dramatic, talkative child. And that was part of my mother's creative solution - to put me in workshops and classes and children's theatre programmes.
I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.
I highly recommend tantric sex workshops.
I want to do theater and I am looking forward to doing more Television and Movies. I also want to direct some plays in theater workshops for people with disabilities.
I taught workshops at universities. I wrote for magazines. This took time and insane amounts of juggling, but it's how I earned a living.
It was impossible for me to believe that conditions in Europe could be worse than they were in the Polish section of Chicago, and in many Italian and Irish tenements, or that any workshops could be worse than some of those I had seen in our foreign quarters.
I never had the exposure to techniques and so forth that children have today with art workshops, but I always had crayons and pencils and still have work going right back to when I was five or six years old.
I've studied, I've traveled the world, but the most important things I've learned in Italy making the round of workshops with my grandfather Dante. When it comes to leather, he was a real artist - he could sniff out the best immediately.
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