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Quotes about Virginia Woolf
Quotes by Virginia Woolf
Virginia Woolf said that writers must be androgynous. I'll go a step further. You must be bisexual.
Rita Mae Brown
My role models were childless: Virginia Woolf, Jane Austen, George Eliot, the Brontes.
Joyce Carol Oates
It's rather splendid to think of all those great men and women who appear to have presented symptoms that allow us to describe them as bipolar. Whether it's Hemingway, Van Gogh... Robert Schumann has been mentioned... Virginia Woolf, Sylvia Plath... some of them with rather grim ends.
I woke up full of hate and fear the day before the most recent peace march in San Francisco. This was disappointing: I'd hoped to wake up feeling somewhere between Virginia Woolf and Wavy Gravy.
When I saw Virginia Woolf, somewhere between the first and second acts, someone I had known as my mother became somebody else.
There is something so hopeful about a diary, a journal, a new notebook, which Joan Didion and Virginia Woolf both wrote about. A blog. Perhaps we all are waiting for someone to discover us.
I think the kind of unexpected I really love is when you open books and the actual way of writing is different and interesting. Like reading Virginia Woolf for the first time or Lawrence Durrell for the first time.
I grew up in a small town, in a small community, and I would not have had access to great plays when I was a kid were it not for the films of 'Who's Afraid of Virginia Woolf?' and 'Cat on a Hot Tin Roof.'
As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient, lost soul, and an example of humanity at its rawest.
I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.
No one in a novel by Virginia Woolf ever filled up the petrol tank of her car. No one in Hemingway's postwar novels ever worried about the effects of prolonged exposure to the threat of nuclear war.
J. G. Ballard
In school, I was Martha in 'Who's Afraid of Virginia Woolf?' I loved that.
Virginia Woolf came along in the early part of the century and essentially said through her writing, yes, big books can be written about the traditional big subjects. There is war. There is the search for God. These are all very important things.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
If you're writing an opinion piece, it's your job to write your opinion. If, on the other hand, you wrote a novel, as Virginia Woolf tells us, it would be inappropriate if you let your novel be influenced by your political opinions.
Virginia Woolf was wrong. You do not need a room of your own to write.
At the risk of sounding like Virginia Woolf, I could live on £700 a year.
My earliest experience was reading Edward Albee's 'Who's Afraid of Virginia Woolf?' at 8, you know, with a bunch of kids on my steps - on the stoops - and knowing that I wanted to direct them saying the lines. I don't really know how to articulate that 'cause there wasn't someone to show me.
Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.
I fell in love with Virginia Woolf in college. I especially admire how well she writes about daily life, how she captures so much meaning and consequence in the smallest details of a day.
Karen Thompson Walker
Vita Sackville-West is one of my favorite female icons. She was a writer and a prolific gardener, but she also had a relationship with Virginia Woolf, and she was married to Sir Harold Nicolson. She was a woman who lived outside of norms.
I think throughout the 20th century, for some reason, serious writers increasingly had contempt for the average reader. You can really see this in the letters of such people as Joyce and Virginia Woolf.
I admire Virginia Woolf so much that I wonder why I don't like her more. She makes the inner things real, she does illumine, and she makes relationships realities as well as people. But I remember the intensity, the thrill, with which I read 'Passage to India.' How I would have hated anyone who took the book away from me.
Leonardo da Vinci
A. P. J. Abdul Kalam
Image of the Moment
I dwell in possibility.
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