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You can make something big when young that will carry you through life. Look at all the big startups like Microsoft, Apple, Google, Facebook, Twitter, etc. They were all started by very young people who stumbled on something of unseen value. You'll know it when you hit a home run.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
Before, revolutions used to have ideological names. They could be communist, they could be liberal, they could be fascist or Islamic. Now, the revolutions are called under the medium which is most used. You have Facebook revolutions, Twitter revolutions. The content doesn't matter anymore - the problem is the media.
Everybody is continuously connected to everybody else on Twitter, on Facebook, on Instagram, on Reddit, e-mailing, texting, faster and faster, with the flood of information jeopardizing meaning. Everybody's talking at once in a hypnotic, hyper din: the cocktail party from hell.
Social media is just a platform. Twitter is a very simple and immediate broadcast platform. Facebook is a very personal, when it comes to friends and when it comes to fan pages, a little bit less but still somewhat personal way to communicate.
The viral power of online media has proven how fast creative ideas can be spread and adopted, using tools like cellphones, digital cameras, micro-credit, mobile banking, Facebook, and Twitter. A perfect example? The way the Green Movement in Iran caught fire thanks to social media.
If I have the power to post 'Happy Birthday' on someone's Facebook page and make them feel really good, it feels really good to make other people feel really good. I love it. I'm a huge Facebook and Twitter person. And I love talking to my fans. It's fun.
When the Haiti earthquake happened, I registered with UNICEF to set up an account, and posted to Twitter for people to donate to it. In a matter of a couple of hours, $30,000 had been donated. That, to me, was eye-opening.
Now we're e-mailing and tweeting and texting so much, a phone call comes as a fresh surprise. I get text messages on my cell phone all day long, and it warbles to alert me that someone has sent me a message on Facebook or a reply or direct message on Twitter, but it rarely ever rings.
Now we have so many more social outlets, so many ways to be stalked and bullied. If social media is too much for you to handle, then don't have a Twitter or Facebook account. Just be yourself. Be who you want to be.
I just recently joined Twitter. It's very positive - I love all the accolades. If my ego is hurting, I can just open my Twitter account and see 'Oh, I love you! I love the show!' and it's great. I'm trying to find the balance between trying to be funny, being honest and just being a promoter as the guy on 'Royal Pains.'
When I wrote 'The World Is Flat,' I said the world is flat. Yeah, we're all connected. Facebook didn't exist; Twitter was a sound; the cloud was in the sky; 4G was a parking place; LinkedIn was a prison; applications were what you sent to college; and Skype, for most people, was a typo.
I love the action that I'm able to do. I grew up in Maine, outdoors and playing with the boys and shooting skeet. I have my girly side, too. But, I do like playing the strong female roles, especially now with something as simple as Twitter, where you've got young women following you.
When Twitter made its way to my radar I looked at it as a curiosity, then started experimenting. I approached that as a place to be less formal and more off-the-cuff, honest and 'human.'
Whether or not Twitter makes you stupid, it certainly makes some smart people sound stupid.
When you go on your Twitter or look down your Timeline and it's all great positivity - I love that. But at the same time, it can really divert you from what your purpose is or what you're trying to do. And I've seen artists get caught up in that.
When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
Since the founding of Facebook, Twitter, Instagram and other mainstays of what technology writers have come to call 'the social Web' or 'Web 2.0,' a sizable portion of humanity has learned to be together while apart, sacrificing intimacy for control and spontaneity for predictability.
Everybody think they're famous when they get 100,000 followers on Instagram and 5,000 on Twitter.
Chronic malnutrition, or the lack of proper nutrition over time directly contributes to three times as many child deaths as food scarcity. Yet surprisingly, you don't really hear about this hidden crisis through the morning news, Twitter or headlines of major newspapers.
I don't have a Facebook or Twitter account.
I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
It makes me feel so amazing to know there's people out here that support me and follow me on Twitter and watch my shows on YouTube and come to my concert, so I'm very thankful.
The idea of Twitter started with me working in dispatch since I was 15 years old, where taxi cabs or firetrucks would broadcast where they were and what they were doing.
C. S. Lewis
Martin Luther King, Jr.
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