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Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
At the School of Visual Arts in New York, you can get your degree in Net art, which is really a fantastic way of thinking of theater in new ways.
I definitely wasn't cool in high school. I really wasn't. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas. But I certainly did not know what to wear, did not know how to do my hair, all those things.
In the theater, characters have to cut the umbilical cord from the writer and talk in their own voices.
I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.
The theater is magical and addictive.
It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
What the American public wants in the theater is a tragedy with a happy ending.
William Dean Howells
I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.
Thank God for the theater.
When I was in high school, I was a bad singer. I mean, all my early acting was musical theater, and my first ever show was 'Jesus Christ Superstar.' Everyone's familiar with it. I played priest number 3 and sang so out of tune that it's not even funny.
I'm the perfect kind of personality for making YouTube videos. I deal in short attention span theater. I do wild things.
I went into performing for the community. Being backstage with your company of fellows is the best part of working in live theater. That energy, that combined focus, the synergy - it's addictive.
I grew up in Pennsylvania in a small town. Real small, like one high school and one movie theater. Well, there was a state college there, that was the only good thing about it.
I love theater. Like, every time I go to New York, I see a play.
What interested me was dance - the way that it was constructed with time-space constructions, and that it was abstract. I always thought: 'Why couldn't theater be that way? Or an opera?'
It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
More than anything, people want the reality of the discussion at hand. If what is going on in that building is the real thing, if the transforming love and power of Jesus Christ is being experienced, you can sit on a metal folding chair or in a plush theater seat.
If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
For me, you say the words 'concept record,' and the first thing I think of is theater or the opera or something.
I'd love to do theater. I've done so many plays in my life. I still think of that as my main thing.
I was pursuing the arts with theater in school, and I was doing after-school activities, but not in any real movement towards a professional career.
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
Magneto has a whole lot of complexity to him. Emotionally, he's coming from a very damaged place. I like the ambivalence of it. I want the audience leaving the theater wondering, asking the questions themselves rather than being spoon-fed like a lot of these super-villain characters.
During a trip to Iraq last fall, I visited our theater hospital at Balad Air Force Base and witnessed these skilled medical professionals in action and met the brave soldiers whose lives they saved.
Martin Luther King, Jr.
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