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You got to play the flute as a flute, like that. You can't play like a tenor concept on soprano; it sounds wrong. But some guys do it, and they think it's O.K., but not so!
Religion creates community, community creates altruism and altruism turns us away from self and towards the common good... There is something about the tenor of relationships within a religious community that makes it the best tutorial in citizenship and good neighborliness.
The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life.
Robert Louis Stevenson
I wanted my voice to be a tenor sax, really.
I'm a farmer with a mandolin and a high tenor voice.
I play saxophone, I play tenor sax.
In reply, I can only plead that a discovery which seems to contradict the general tenor of previous investigations is naturally received with much hesitation.
A superb tenor voice, like a silver trumpet muffled in silk.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
Some people say there was no jazz tenor before me. All I know is I just had a way of playing and I didn't think in terms of any other instrument but the tenor.
An artist must be a reactionary. He has to stand out against the tenor of the age and not go flopping along.
When I hear that young people have come to the theater for the first time to listen to opera, I'm very happy. Because it's the same thing that happened to me as a child. When I first heard the tenor voice, I immediately fell in love with this kind of music.
When I was very young, I started trying to sing like the great tenor Mario Lanza; my family used to play his records. We all learn best by imitating others.
When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
I got to sing with Placido Domingo... I got to sing with Aaron Neville, who is one of my favorites. Got to sing with Brian Wilson, one of the great high tenors. And Ricky Skaggs, a bluegrass tenor. I'm also proud of my musical friendship with Emmylou Harris.
When I sing, I want people to think only about the tenor and only about the music.
I am a tenor buff. I hear myself.
My father was a Norwegian tenor and my mother a New York Irish librarian.
When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.
I made the tenor sax - there's nobody plays like me and I don't play like anybody else.
Then, of course, I played alto and tenor, wherever there were jobs.
A. P. J. Abdul Kalam
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