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I have a Chamberlain I bought from some surfers in Westwood many years ago. It's an early analog synthesizer; it operates on tape loops. It has 60 voices - everything from galloping horses to owls to rain to every instrument in the orchestra.
I am in touch with a company that hopes to replicate my voice. However, they are not replicating my original voice - if they did that, I would sound like a man in his 20s, which would be very strange! They are actually trying to replicate the synthesizer that sits on my wheelchair.
James Joyce was a synthesizer, trying to bring in as much as he could. I am an analyzer, trying to leave out as much as I can.
The voice I use is a very old hardware speech synthesizer made in 1986. I keep it because I have not heard a voice I like better and because I have identified with it.
If you're a guitarist, you should not be intimidated by using your instrument as a synthesizer, but you shouldn't feel that you have to own one, either.
I was never worried that synthesizers would replace musicians. First of all, you have to be a musician in order to make music with a synthesizer.
My music, my whole approach to the synthesizer has completely changed now.
I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.
For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
If smart technology can transform 3-D from a crude novelty to a genuine visual enhancement, why shouldn't a sophisticated odor synthesizer follow a similar path?
Some tracks are with quartet and some tracks are with synthesizer.
I think I was first to do live performances on a modern electronic sound synthesizer.
It's been very hard for the guitar as a serious synthesizer to compete with keyboards.
For me, the guitar synthesizer is a great writing instrument.
More recently, I used guitar synthesizer extensively on the two albums I did with Robert Fripp.
The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
If it's fast, no I don't have enough piano technique. In that case, it's probably been done on some kind of synthesizer or sequencer. Then the score can then be printed out and so forth.
A MIDI file contains coded instructions to play a particular series of notes on an electronic music synthesizer. A MIDI file is more like a piano roll in a player piano than any type of sound recording.
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