Quote of the Day
Melodies are just honest. They can only be what they are. Words have the capacity for deception. They're all full of subtext, and some of them are cliche and overused and vernacular. They're tricky. All I can say is, words are tricky.
When I used to watch comedians with my dad, he laid it all out for me. He wanted to be a comedian himself, and he was so funny. We'd watch stand-up on TV, and he'd tell me the subtext of what they were saying.
All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records, but if you were a kid, you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
'Ocean's Kingdom' is a fairy story with no subtext, no resonance - it's not about anything except its water-logged plot.
I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.
Celebrity poverty, that's the hidden scandal in Blair's Britain. You can't help but worry for them. A girl I knew developed X-ray eyes for celebrity sorrows. She taught me to read the subtext of the down-market celebrity interview, she knew all the Hollywood codes, and followed the deep backgrounds.
Five decades ago, as India's first prime minister, Jawaharlal Nehru, began visibly ailing, the nation and the world were consumed by the question: 'After Nehru, who?' The inexpressible fear lay in the subtext to the question: 'After Nehru, what?'
There's no subtext in 'Harry Potter,' really; it's all magic - anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it. Doesn't say much for acting, does it?
I am obsessed with story. I had a late awakening in life. In college was the first time that I understood what you could do with a story and what a good novel is - literary value and subtext and irony and everything.
I feel like math and writing are the same thing. You're putting together a lot of complex things to satisfy different requirements. It's got to be aesthetically pleasing; it's got to have subtext; it's got to convey information.
Personally, I don't think we could do such a show if we didn't get along. The subtext of all this is that we're women in a show so we can't possibly get along. It's not like they write about The Sopranos like that.
I would say what Mad Men has taught me has been a super elevated evaluation of text in general, and understanding subtext, and understanding where a character comes from - what he means by this or by that.
Sometimes I even feel funny to say I'm in a biracial marriage because people are like, 'Oh, he's Asian?' The subtext is, 'Who cares? You didn't marry a black person.'
As an actor, you are always looking for subtext, for layers, for what's going on underneath.
With Bound, we wanted to pull at conventions, because you begin to wonder, Why do these stereotypes exist? Where do they come from? You use that as the subtext.
Shakespeare doesn't really write subtext, you play the subtext.
With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
For me really good acting is about subtext.
I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
If you look at my body of work, there's always a dark side to my characters. They've always got a skeleton in the closet; they've always got a subtext.
A. P. J. Abdul Kalam
C. S. Lewis
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