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I was Jewish, through and through, although in our house that didn't mean a whole lot. We never went to synagogue. I never had a Bar Mitzvah. We didn't keep kosher or observe the Sabbath. In fact, I'm not so sure I would have known what the Sabbath looked like if it passed me on the street, so how could I observe it?
Traveling to the Middle East and playing music for people on the street, for soldiers, for people in hospitals, and for people who lost their homes, and seeing people open up through the experience of music really restored my faith in music, in art, and in culture to change things.
My natural instinct after doing something shameful is not to rush into the street boasting about it but to put on dark glasses and head for the next county, hoping nobody notices I've been in the neighborhood.
When I started in the clubs, I had to work places where didn't nobody else want to work. I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.
The older people that one admires seem to be fearless. They go right out into the world. It's astounding. Maybe they can't see or they can't hear, but they walk out into the street and take life as it comes. They're models of courage, in a strange way.
The world of Manhattan is small and tightly knit, and the man on top retains a certain humility. He knows how far and fast he can fall by looking at the guy across the street. The view from the $250,000 apartment covers a lot of ground, most of it condemned.
Street protests in Saudi Arabia might warm our hearts, but they could easily lead to $250 a barrel oil and a global recession.
Most of the kids that I meet in the street are serious hardened criminals that I meet in the street, never had a mother and a father to love them, to protect them, to teach them right from wrong and lead them out of crime and gangs and stuff like that.
My siblings and I were friends with the boys who would become our stepbrothers - we grew up on the same street. I feel very special to have these amazing people in my life and if we hadn't all moved into this big house together I think I would have missed out on that, because we would have drifted apart.
The skyscraper establishes the block, the block creates the street, the street offers itself to man.
I now know my right from my left and my up from my down. Unluckily, my terrible sense of direction remains. For me, to live in New York City is to never be able to meet someone on the northeast corner. It is to never ever make a smooth entrance, always to get caught looking lost on the street.
As the Wall Street Journal called our economic plan, supply-side economics for the working man, is resonating in Minnesota and here in Missouri and across this country.
My earliest memories of horror are 'Friday the 13th Part 2,' John Carpenter's 'The Thing,' 'Halloween,' 'An American Werewolf in London,' and 'A Nightmare On Elm Street'... and 'Hatchet' is so obviously inspired by those films that I may as well have made it in 1984.
If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.
Occupy Wall Street didn't just spring from the earth organically, out of thin air. This was all part of the global socialist movement.
I see bad stuff on the street all the time that I don't do anything about. I do bad stuff myself all the time. The goal is not to somehow be perfect - that's silly, that's naive. The goal is to just recognize there are choices in front of us, and to try to make better ones.
Jonathan Safran Foer
My view is that good community management is like having good municipal government: You should be able to have dissenting opinions and so on, freedom of speech, but your grandmother should also be able to walk down the street at night without having to worry about getting mugged.
For exercise, I tend to like the outdoors. In Paris, I rent a bike in the street and cycle around, and in L.A. I live up in the hills so I go hiking a lot. I like to stay fit by being generally active.
I acted all the way up until Princeton. It was just one of my favorite extracurricular activities. Then I got to Princeton and had a really conservative vibe. All my friends were planning on law school, med school, or Wall Street, and suddenly acting seem like a really risky proposition.
I looked at the rap community like street kids wanting their own brand. But now I look at that period with the rappers in the 90s as a trend of the moment. What it taught me was never to follow a trend, because trends move on.
My dad loved to 'arrange things' to take us kids to that scared the crap out of us on Halloween. He'd take us to the old 'Hermit's House' at the edge of town. He'd park the car 100 yards down the street and say, 'Go back there and get something off the front porch!'
I can give you the King's English and then I can take it to the street, but do both or do one and don't do one knowing only the street. That's going to hold you back because what comes out is going to impress people, and it will impress them negatively.
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.
In New York City, you can walk down the street and see a girl in a trench who looks equally as cool as a girl wearing Lululemon. It's like you're watching models. You see a little of everything right by you.
For me, music was the only reason I went to school. I was kind of a street kid, in a lot of trouble committing crimes and stuff. Music gave me something to focus on.
Martin Luther King, Jr.
C. S. Lewis
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