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I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.
I have the soundtrack for 'A Clockwork Orange,' which is kind of cool. I guess I don't really end up buying a lot of modern soundtracks. Another soundtrack I love is from a French movie called 'Betty Blue.' it has some really melancholy piano work.
One of the most interesting things, at least for me, are the soundtracks for 'The Social Network' and 'Drive.' Basically, it's what I did in 'American Gigolo.' I could have done the music for those movies blindfolded. And one of them won an Oscar, and the other is this massive soundtrack.
I have soundtracks for a lot of stuff.
Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.
Sometimes I like to play the soundtracks to famous musicals so we can all sing along. South Pacific is one of my favorites. Our neighbors must hate us.
Everyone wants to get into soundtracks. Everyone wants to do songs here and there. But, I think they want it for different reasons. I think I'm just tumbling through my life, enjoying playing with everybody.
Phones and soundtracks and Muzak and fountains replace genuine and unpredictable human contact with a seamless soundtrack from a bad movie and a cliche that makes us believe we must all be happy.
John Barry was the first film composer I was aware of. As a teenager I owned several of his Bond soundtracks.
I keep my iPod on shuffle most of the time, but I'm most into Cirque du Soleil soundtracks.
Well lately I have listening to a lot of movie soundtracks.
This sounds geeky, but when I run, I like to listen to musicals like 'Les Miserables.' The soundtracks are 75 minutes or longer, and I keep going until the story ends, so it feels like a good workout.
I've done lots of songs for film soundtracks and things like that - stuff I'm not ashamed of, but that doesn't represent my legacy with the Pretenders.
A few performances have been left out of the various Woodstock soundtracks and film edits over the years, most notably The Grateful Dead.
Leave a movie audience inspired, and they will want to ingrain that movie into their lives with the toys, branded food products, soundtracks, and clothing they buy.
I like soundtracks and I like film.
I love doing film soundtracks and working with directors on how they want the scene to be portrayed on audio as opposed to visual. I like the collaborative effort of working with people.
Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
I can remember being very keen to go to drama school at the age of eight, and practising ballet in my bedroom to Queen soundtracks.
My favorite films, I would put my answering machine up to the television set and hit record. I'd tape my favorite movies and then I could go back and listen to them again. I only had the soundtrack, I didn't have the visuals. But I think it made me really pay attention to the soundtracks.
The first two projects I did out of my dorm room were mock film soundtracks.
I'd love to do film and soundtracks, and you couldn't do much better than James Bond.
I think I've done more recording in the past 10 years than most people, but it's all been directed toward film composing and soundtracks. Just the same, it's been great.
A. P. J. Abdul Kalam
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