Quote of the Day
Life is not a solo act. It's a huge collaboration, and we all need to assemble around us the people who care about us and support us in times of strife.
Life is like playing a violin solo in public and learning the instrument as one goes on.
The good thing about flying solo is it's never boring.
I like jazz, but I could never play it. You just sit there with a guitar the size of a Chevy on your chest, wearing a stupid hat, playing the same solo for an hour.
I was in a group called Wild Orchid and it just wasn't working. I wasn't being myself. What I should have done was say. 'Girls, it's really time for me to go on my own. I need to fulfill this dream of mine to have a solo album.' And I didn't know how to do that. I wanted to please them.
I am not an insecure actor, and this reflects in the films I have done. Yes, there was a phase when I was adamant on solo hero roles, but that is over now.
You know, when Michael Jackson does the moonwalk, he's showing off! When Prince or Hendrix do a guitar solo, it's confidence! I would hate to be at a show and some nervous wreck is sweating up there and doesn't feel like he deserves to be there.
The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
Between the Dinosaur Jr. albums and his recent solo albums, 'Several Shades of Why' and 'Heavy Blanket,' J Mascis is emerging as one of the last men from all that '80s indie madness, still writing songs that you want to listen to over and over.
Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.
Music is very similar to comedy: It's all about texture, timing, context, vocabulary, performance. When someone's onstage doing a solo, essentially it's the same thing as what a comedian does. They're in the moment. They're listening.
My favorite puzzle is trying to work out the parts myself, after all it is a solo effort.
You're just sort of searching for this 'thing' and sometimes you get it and sometimes you don't. All music is imperfect, but in jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.
People don't realize you're blowing over changes, time changes, harmony, different keys. I mark a point in my solo where it's got to peak at point D I go to A, B, C D then I'm home.
My style is bad white-boy dancing. I can do swing a little bit, but nothing beyond that. My solo dancing is sad. I use my arms, badly.
I was still in school after I dropped my first solo album.
I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.
I think all the bad blood started when Geffen released a greatest hits package of my solo stuff.
I have a solo deal with Columbia Records. So it's about, do I want to release an album, when can we do it, what kind of album should it be, how should it be released and marketed and what's the right timing? Do I have time to do it? It's all about questions.
I had a number of very strong personalities in my family. My father was a concert flutist, the solo flute for Toscanini.
Francis Ford Coppola
You know how the Beatles broke off - they all did their solo projects and they came back together and they were even stronger!
I've performed solo for 20 years now, but I don't do much of it, because if you only play alone, you go crazy and out of tune and play foolish music.
If I would have ever dreamed that I wouldn't be in Van Halen anymore and was going to have resume my solo career again, I would have never contributed anything towards my own greatest hits package.
The solo years have been more meaningful to the audiences than the Smiths years, but the press in England only write about me in relation to the Smiths era.
Steven Patrick Morrissey
I heard some stuff recently from Julian Casablancas, and his solo stuff is amazing. If I could write with anyone, it would be him.
John F. Kennedy
A. P. J. Abdul Kalam
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