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The hardest thing in fashion is not to be known for a logo, but to be known for a silhouette.
A good pump is a silhouette, like the bone structure of the face. It's like a beautiful face with no make-up. You can cover a not-so-beautiful face with make-up, but it is just a mask - it is the same with shoes.
As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
I looked up and saw the shape of a heart made by the silhouette of Ben Affleck and Matt Damon kissing.
They can see the brave silhouette from almost anywhere in the District of Columbia and use it as a compass to locate other monuments and eventually to find their way out of the great, gray federal wilderness.
For a long time I was looking for my perfect equilibrium, my mojo. And now I think I'm getting there: I've found my customer, my silhouette, my cut.
When I am putting looks together, I dare myself to make something work. I always look for the most interesting silhouette or something that's a little off, but I have to figure it out. I have to make it me. I think that's the thrill in fashion.
I'm just a normal person. It's not like I come home and think about opera. My thoughts are about completely other things. Shoes! Dresses! Expensive ones: with a pretty silhouette, beautiful fabrics.
I have my mantra about silhouette, proportion, and fit. I believe that when they are in harmony and balance, you'll look great in anything.
I've never really had a waist. Even when I was at my slimmest, my silhouette was very straight up, straight down. But I have learnt how to give myself a bit of waist by optical illusion. For this, bring on the belts.
Enhancing a woman's silhouette and enhancing a woman's beauty - both contribute to enhancing her confidence, so they're synonymous, really.
Guys understand a waistline. They understand a silhouette. I dress for men.
A film is a great deal about what you see, and the silhouette of a character tells you a lot. I'd love to go into film costume.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
Guys understand a waistline. They understand a silhouette.
The silhouette is the most important thing in clothes. Every French girl knows that. High-waisted trousers give you long legs and a pretty bum which, after all, is what we all want.
At the end of the day, I want to create collections that, although I am inspired by very creative women, I want my customer to walk away with a silhouette that she doesn't even know what collection it comes from. That it just lasts in her wardrobe and makes her feel strong and confident and hopefully happy.
I think everyone evolves over the years, but I have always had the silhouette that I know suits me. I am never going to wear a frothy, poufy thing that sticks out because I have found a style that works for me, and I stick with it.
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is crucial. There is something about his silhouette that became his brand.
I like a very sexy silhouette, and I like to feel like when you put something on, you zip yourself into it, and you're secure in there.
I love to see a woman in high-heeled shoes. There's something about the curve of the feet up the leg to the butt that's really, really wonderful, and the right pair of shoes can give you the right silhouette.
I'm a real believer in dressing tone-on-tone. I'm not saying you need to dress black. Dress just one color so the colors are not breaking your silhouette.
In the summer of '80, Silhouette bought my first book.
All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.
I can wear a sexy dress to any red carpet event. My wedding is my chance to go all the way and wear a princess silhouette.
A. P. J. Abdul Kalam
Martin Luther King, Jr.
Leonardo da Vinci
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