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I read 'The Great Gatsby' in high school and was hypnotized by the beauty of the sentences and moved by the story about the irrevocability of lost love.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
When you reach the editing stage, it is often the case that you can get too involved with the story to detect errors. You can see words in your head that aren't actually there on the page, sentences blur together and errors escape you, and you follow plot threads and see only the images in your skull.
When you're on a submarine you're usually underwater for months at a time, and you don't get to Skype or make phone calls. When you get messages, they're maybe two sentences. They're very short.
Back when I lived in Brooklyn, I'd sometimes take the Q train all the way out to Coney Island and back, and work on my laptop. There's something about pushy New Yorkers looking over your shoulder that really makes you produce sentences.
In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe.
Writing on a computer makes saving what's been written too easy. Pretentious lead sentences are kept, not tossed. Instead of sitting surrounded by crumpled paper, the computerized writer has his mistakes neatly stored in digital memory.
P. J. O'Rourke
I believe there's no proverb but what is true; they are all so many sentences and maxims drawn from experience, the universal mother of sciences.
Miguel de Cervantes
Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
Isaac Bashevis Singer
I'll agonize over sentences. Mostly because you're trying to create specific effects with sentences, and because there are a number of different voices in the book.
A lot of aspiring writers are all ready to write a novel, but they don't know how to write sentences.
If you're still wondering about details - how am I going to get these two to meet, or whatever - when you're writing, you can't pay proper attention to the sentences themselves.
Hemingway was really early. I probably started reading him when I was just eleven or twelve. There was just something magnetic to me in the arrangement of those sentences. Because they were so simple - or rather they appeared to be so simple, but they weren't.
I'm a pretty decent writer. It comes easy to me. I don't agonize over sentences. I write like I talk. I try to make them good books.
My morning begins with trying not to get up before the sun rises. But when I do, it's because my head is too full of words, and I just need to get to my desk and start dumping them into a file. I always wake with sentences pouring into my head.
A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.
William Strunk, Jr.
When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.
But if you know that something has been really vicious, you don't read it, you don't let it into your head. What's damaging is when sentences go through your head and you burn with the injustice of it.
I came to Los Angeles for the first time in 1994. I spoke no English. I only knew how to say two sentences: 'How are you?' and 'I want to work with Johnny Depp.'
When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.
E. L. Doctorow
I think of reading like a balanced diet; if your sentences are too baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka as roughage.
My sentences tend to be very short and rather spare. I'm more your paragraph kind of gal.
Don't romanticise your 'vocation.' You can either write good sentences or you can't. There is no 'writer's lifestyle.' All that matters is what you leave on the page.
I like the construction of sentences and the juxtaposition of words-not just how they sound or what they mean, but even what they look like.
If you work on a comedy show, your basic form of communication is teasing. That's generally how we speak to each other: you communicate the information between the lines of insulting sentences.
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