Quote of the Day
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It's hard to bury your head in Los Angeles. People come up to you and say, 'Hey, I saw your picture on a bus.' It's tricky: You're excited by the possibilities, but you don't want to get too crazy.
When I looked at the state of women's MMA, what I saw was that it was missing rivalries or anything theatrical about it. Everybody was trying to be Miss America, unwilling to go under any kind of criticism, and taking the safe answers. I thought I needed to do whatever I could to get attention.
When mankind first saw the necessity of government, it is probable that many had conceived the desire of ruling.
I used to say Edinburgh was a beautiful actress with no talent. I thought it was just like a shortbread tin. I think that's because I did six Festivals in a row there, and I never saw the real Edinburgh, just a lot of deeply annoying Cambridge Footlights kids wanting to be actresses.
The first time I ever saw people of any color was when D-Day left from my hometown in England, to go and free Europe from the war. And there was every color you could imagine, and I'd not seen that in England.
The first time it felt really dangerous, like the sort of thing you had to lock the doors and close the curtains on because if anybody saw you, God would strike you down with a thunderbolt. But I took to it like a duck to water.
I was feeling like a real misfit in middle school, but when I saw 'Wicked,' it made me feel really cool for being different... and you can carve that in stone!
With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.
I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally; I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.'
David O. Russell
I'm always looking for a way to surprise audiences. That's, I feel, my job as a director. I felt that Amy Adams playing a tough woman in 'The Fighter' was a surprise. People saw her as a princess.
David O. Russell
I looked into that empty bottle and I saw myself.
When I was superintendent of Denver Public Schools, I saw the potential of some of our best and brightest students cut short, punished for the actions of others - kids who had grown up and done well in our school system, and kids who know no other home but America. This is unacceptable.
'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.
'Saw' is like a big jigsaw puzzle. When you put a jigsaw puzzle together, you put the bottom left corner together first, and then you find yourself working on the upper right corner... That's the way 'Saw' plays out.
I remember when being a 'a company man' was a badge of honor; today in Silicon Valley it may brand you a loser or, in the best case scenario, someone afraid to take risks. Ten years ago, if you saw a resume that had multiple jobs in ten years, you would be worried about the capability of the individual. Not so now.
I have spent a lifetime watching kids make mistakes because they were not trained or well led or properly motivated to do well. I never faulted the kids; rather, I saw opportunity to train, to motivate, to improve leadership - not to punish the individual.
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie 'Hoosiers.' That is one of the things that attracts me to entrepreneurs.
I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.
It wasn't until I saw James Dean that I began to think that maybe I could actually do this. Movies didn't have to be just this fantasy with this impossibly handsome guy.
When I first was exposed to 'Porgy and Bess' many, many years ago, I was blown away by it - loved the music, overwhelmed by the production at the Met that I saw, and thought I want to play Bess someday. But I also knew they were stereotypes that were considered racist.
As I pass it, I feel as if I saw a dear old mother, sweet in her weakness, trembling at the approach of her dissolution, but not appealing to me against the inevitable, rather endeavouring to reassure me by her patience, and pointing to a hopeful future.
Thomas Edward Brown
When I got the paperwork for Superstars, and I saw they asked what size swimsuit I wear, I had a hot flash, nearly broke into cold sweats and hired a trainer immediately.
The 6th of August in the morning we saw an opening in the land and we ran into it, and anchored in 7 and a half fathom water, 2 miles from the shore, clean sand.
I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.
Leonardo da Vinci
A. P. J. Abdul Kalam
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