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I do this for the sake of myself. It's a selfish process. I don't really have any expectations from anyone for your comments or your reviews or your previews.
The game has a cleanness. If you do a good job, the numbers say so. You don't have to ask anyone or play politics. You don't have to wait for the reviews.
Reviews condition people. At the end of the day, a lot of human minds are malleable. They can be easily shaped with strong words.
I never read reviews - I never have. I've never read message boards, either. I'm just not interested in it in any way - I'm not interested in it inflating my ego, and I'm not interested in it improving my self-worth. So, I don't read them.
I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.
I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.
I never read reviews. I'm not interested. But I value a lot the reactions of the spectators.
I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink your universe in a way. To me, it's the opposite.
Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one.
How nice it would be to breeze through life and just brush things off. I never read reviews because I hate to lose more than I like to win; I experience negative emotions far greater than positive ones.
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.
To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.
I don't spend sleepless nights over getting very bad reviews.
The whole purpose of annual reviews is to keep you abreast of whether or not you are fulfilling the requirements of tenure.
I don't read reviews until after I'm done with a production, but when I do finally get to them, I'm always sort of floored by what the bad ones say.
People keep saying, 'Oh, you're getting all these great reviews, that must make you really happy.' I guess it does, but mostly it's just a relief.
I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
Social enables word of mouth at an unprecedented scale. Its most powerful effect, through reviews and recommendations, is to put product quality and value for money as the key to success in commerce. Social brings a level of transparency that prevents marketers from advertising their way to success without underlying product quality.
In my reviews, I feel it's good to make it clear that I'm not proposing objective truth, but subjective reactions; a review should reflect the immediate experience.
I don't generally read reviews.
The C student starts a restaurant. The A student writes restaurant reviews.
P. J. O'Rourke
Critics are sentinels in the grand army of letters, stationed at the corners of newspapers and reviews, to challenge every new author.
Henry Wadsworth Longfellow
When you hire that first person, then you're a boss. You've got performance reviews. You've got complaints about not making enough money. You've got people who are just going to sell your story to the tabloids.
There's two kinds of press that you get when you put out a TV show: The reviews, and the people that just decide what the reviews say.
Louis C. K.
The unflattering reviews are painful for short periods of time; the badly written ones are deeply, deeply insulting. That reviewer took no time to really read the book.
Martin Luther King, Jr.
John F. Kennedy
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