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Several people, not just reviewers, took me to task for writing about what they called the working classes - something I've been doing for 40 years. I thought that was contemptible - what do they want to do, ghettoize the working class as a subject? Can you only write about your own class? I've written about royalty, am I not allowed to do that?
You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one.
Satire is tragedy plus time. You give it enough time, the public, the reviewers will allow you to satirize it. Which is rather ridiculous, when you think about it.
Whatever the reviewers feel about 'The Casual Vacancy', it is what I wanted it to be, and you can't say fairer than that as a writer.
J. K. Rowling
Professional reviewers read so many bad books in the course of duty that they get an unhealthy craving for arresting phrases.
The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
Some of the reviewers wanted less. Some wanted lots more. Some wanted lots more of something else. But these strips are exactly what they are.
We don't really need reviewers, just first-night reporters who will tell us faithfully whether or not the audience liked the show.
Reviewers are usually people who would have been, poets, historians, biographer, if they could. They have tried their talents at one thing or another and have failed; therefore they turn critic.
Samuel Taylor Coleridge
I would like to spare the time and effort of hack reviewers and, generally, persons who move their lips when reading.
With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
I don't care what reviewers think. If somebody hates a performance of mine, I kind of get a kick out of it. It amuses me when critics take something so irrelevant as a movie so seriously.
I believe passionately in preemptive pessimism, especially before a book comes out. I expect the worst both from reviewers and sales, and then, with any luck, I may be proved wrong.
Reviewers are the worst laughers in the world.
I don't really say much about reviewers. It's a very tough job to get all of the depth of a movie all at once.
There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names-but there have been men who have seemed to want to destroy me or my writing, men I don't even know.
Reviewers said Ghost Country was rich, astonishing and affecting in the way it blended comedy, magic, and a gritty urban realism in a breathtaking ride along Chicago's mean streets.
Reviewers and critics can be overly cynical. If something the least bit sentimental comes up, they'll often start flying off the handle. But I'm like, 'Wait a minute, you've had those times in your life. Everybody has.'
I've had movies bomb with terrible reviews, I've had movies make a lot of money with terrible reviews, I've had movies get good reviews and make money. And I like it best when the movies do well and the reviewers like them.
In LA I was watching At the Movies with Ebert and Roper, it was, nice to see them differentiate between the subject matter and the art form of making the film, and they both gave it thumbs up, and I was kind of pleased at their honesty as far as reviewers go.
In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.
I think reviewers are sexist... This isn't to sound bitter, but I think you're more likely to get a critical kicking if you're a woman. I just think that's a fact. I really think less value is put in general on women's voices, across the board.
I expect the worst both from reviewers and sales and then, with any luck, I may be proved wrong.
A. P. J. Abdul Kalam
Martin Luther King, Jr.
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