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Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Unless a reviewer has the courage to give you unqualified praise, I say ignore the bastard.
What bothers most critics of my work is the goofiness. One reviewer said I need to make up my mind if want to be funny or serious. My response is that I will make up my mind when God does, because life is a commingling of the sacred and the profane, good and evil. To try and separate them is fallacy.
The reviewer is a singularly detested enemy because he is, unlike the hapless artist, invulnerable.
The unflattering reviews are painful for short periods of time; the badly written ones are deeply, deeply insulting. That reviewer took no time to really read the book.
Over the years, during television interviews, whenever the host or the reviewer or whoever gets cynical and nasty with me, I will behave accordingly. I will defend myself.
Over the years, more than one reviewer has described my fantasy series, 'A Song of Ice and Fire', as historical fiction about history that never happened, flavoured with a dash of sorcery and spiced with dragons. I take that as a compliment.
George R. R. Martin
I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending.
I've read a lot of bad books. I used to review books for a living, and when you're a reviewer you read tons of terrible books.
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
I will say overwhelmingly what means so much more to me than the opinion of one reviewer are the letters I get from fans who tell me how a particular book has changed their life.
I would be far more critical than any reviewer could be of my own work. So I simply don't read them.
Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper.
I think that curiosity happened on these reviews where I was just a guest of the reviewer, because it introduced me to new cuisines and to the idea of cooking as a mechanism for studying other cultures and understanding other parts of the world.
If a reviewer is beating me up, I just say, 'Oh well, my writing is not to his or her taste.' And that's as far as it goes. Because I will simultaneously read a review where somebody says, 'Oh my God, I had so much fun reading this book and I learned so much.'
Any debut novel is usually a case of spitting into the wind - or, just maybe, casting your bread upon the waters. Without an established audience in place, first-time authors have to hope for resonant word of mouth and a receptive reviewer or three.
Paul Di Filippo
There was one reviewer from the 'New York Times,' I forget his name, who said I was 'death warmed over.' I wrote him back that I knew more about death than he did. The 'Times' fired him, put him in the cooking department!
Most books reviews aren't very well-written. They tend to be more about the reviewer than the book.
What I expect of a movie reviewer is that he should love cinema as much as I do.
The power of the print reviewer is one of those urban myths. There have always been shows that slipped under the critical radar to become popular successes: 'Tobacco Road', 'Abie's Irish Rose' and our old friend 'Spider-Man', which got the worst reviews in theatre history and is still apparently going strong.
Some movie I was in, I forget which one, some awful little movie, a reviewer said, What is Jessica Walter doing in this movie? And I said, Hello? Trying to make a living?
I have earned wages as a waitress, a nanny, a librarian, a personnel officer, an agricultural laborer, an advertising secretary, a typesetter, a proofreader, a mental-health-care provider, a substitute teacher, and a book reviewer. In and around the edges of all those jobs I have written poems, stories, and books, books, books.
John F. Kennedy
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