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Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it's a spontaneity-killer.
No matter what the character is, I just say to myself 'If I, Melissa George, was in that situation, how would I react?' and once you do that you can just go for it, and hopefully the performance comes through.
I think you have to be in the right place at the right time. And understand that and know when it is your time and how you react to it and how you respond to it.
Look, I think the notion that there's a dogma or doctrine of foreign policy that gives you a textbook recipe for how to react to all situations is really nonsense.
I am very reactive towards everything. There are some who don't react at all, they absorb everything quietly, while I'd go all out and show my expressions. This is not part of some tamasha I do; I do it because it's part of my personality. To each his own.
Audiences are shifting. Platforms are shifting. Ages are shifting. It's better to be in charge of change than to have to react to change.
My bottom line is that monetary policy should react to rising prices for houses or other assets only insofar as they affect the central bank's goal variables - output, employment, and inflation.
When I begin, theoretically and practically I can smear anything I want on the canvas. Then there's a condition I have to react to, by changing it or destroying it.
I used to have costumed characters come out, like SpongeBob. It's just fun to make it into this minor event, just to surprise people and experiment and be weird and just have fun with it. I've done just the hour stand-up, and that's fun, but the other stuff makes it fun for me and gives me something to react to and bounce off of.
Putin and his advisers don't understand the power of public opinion in the West. They believe in conspiracy theories and that someone is orchestrating a malicious campaign against Russia. They don't realize that even conservative politicians have to react when newspapers and artists express their concern on such an issue.
I love films that make me react emotionally and physically when you walk out of the cinema. Two of my favorite films however have got to be 'The Tree Of Life' and 'The Piano Teacher,' which also stars one of my favourite actresses Isabelle Huppert.
Why we cannot build a system like El Al to be proactive. Why do we have only to react? The shoe bomber - reaction? Take off your shoes. The Nigerian - the body scanner is a result of the Nigerian guy.
That's a big deal for kids, when they come into the kitchen and the teacher is drinking coffee with mom. They react differently on the next day when you say: 'Sit down and shut-up!'
When I step into a character's shoes, I don't judge them. I make a conscious effort not to look from the outside in but look from the inside out, and when you do that it allows you to feel and sense things more, and act and react from a core, you know?
You know, different people are going to react different ways. And I don't think we should be intolerable because people do things a little differently.
Nature is good at connectivity. The impact of diverse human activities is observed and absorbed throughout nature. Everything is linked. Nature has no problem with coherence. Ecosystems react with their own logic.
Jonas Gahr Store
When I throw a softball, there's no time to think about the motion of my arm. I just look at the first baseman's glove and react.
I love improv so much. Listening. I think that's the key. When you improvise, you put a lot of pressure on yourself to create, and to be generating information, and trying to be funny, but if you just listen to what's being said to you, and then react honestly, you generally get better results.
If all our comrades of Europe, America and other countries, who do not understand what we are doing to Spanish Anarchism, would come to Spain, we could then see how they would react.
I try to live the moment and not obey laws, rules, conventions, or norms; to react to a sensation, a feeling, or an emotion. You can't program emotion.
It's been fascinating working on a set in New York. Just to be in the thick of it is really interesting, because on any given day you're having to react to what New York is offering, if that's a thunderstorm or blocked traffic or a bunch of noise.
I think that's part of building your team is trying to anticipate where your team is going and to a certain extent where, especially defensively because you have to react to what they put on the field. Defensively you have to be able to defend those things.
I do better with routines and predictability. I don't react well when there's a sudden change in the schedule.
There was nothing more I wanted to do than to see my dad react well to my music. I still do. I send him my demos all the time.
In Torch Song, I did that character almost non-stop from 1978 until I made the movie in 1987. Then I had some failure, which also colors how you react to doing other things.
Martin Luther King, Jr.
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