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Hardboiled crime fiction came of age in 'Black Mask' magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world.
Raymond Chandler managed to write about L.A. his whole career. Should I keep going writing about New York? Is that what I should be doing? Songwriting doesn't work that way.
I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art.
With 'Worst. Person. Ever.' I knew where it started and where it had to end, but I threw Raymond as many curveballs as I could along the way. He's like the coyote in the 'Road Runner' cartoons.
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis.
When we have a favorite writer, it's always the places where they grew up, lived, worked, and that they recreated on the page that we most want to visit and commune with. Faulkner's Mississippi, Raymond Chandler's Los Angeles, etc. The mind of the reader longs to be somewhere, not just anywhere, and certainly not nowhere.
I used to do my best thinking while staring out airplane windows. The seat-back video system put a stop to that. Now I sit and watch old' Friends' and 'Everybody Loves Raymond' episodes. Walking is good, but here again, technology has interfered. I like to listen to iTunes while I walk home. I guess I don't think anymore.
Raymond Chandler once wrote that Dashiell Hammett gave murder back to the people who really committed it.
I think Raymond is very honest about human relationships.
In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.
I am really into how words sound out loud, so I was always the kid who would, like, read the page of the book to herself in her room over and over and over. And Raymond Carver is great for that. Tobias Wolff is an author who is really good for that as well.
John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
I can't believe how blessed I am! I'm married to the most wonderful man, Gene Raymond, whom I'm deeply in love with, and, my career is right where I want it to be. I can live like this forever!
I loved 'Everybody Loves Raymond' because I like Ray and I thought it was beautifully cast, I thought it was great writing. I thought Patricia Heaton was wonderful.
Raymond Carver is good. I think he'll be appreciated more and more. He's an easy writer to imitate.
It's not a terribly original thing to say, but I love Raymond Carver. For one thing, he's fun to read out loud.
I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.
After 'Raymond,' there was this big feeling of, 'What do I do next?'
The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the writers.
I don't really get a chance to watch much television. I mostly watch BBC Worldwide and repeats of Seinfeld and Everybody Loves Raymond.
I met a 13-year-old black child, Raymond, who had never been to school and had never learnt any words, yet it seemed to me that he was intelligent. It became apparent after a short period that Raymond thought in terms of visual signs and movements.
I read a lot of short fiction, like Kurt Vonnegut and Raymond Carver and Wells Tower.
Raymond Floyd. The man knows how to control situations. He was experienced. He didn't let me get overly excited; he kept me in check. It allowed me to free myself up, and I played really well with him.
It brings a smile to my face every time I look in the record book and see my name with the likes of Hutson and Lance Alworth and Raymond Berry, some of the fabled receivers of the NFL. It's all like a dream to me. I can't believe it's true.
I was very lucky with 'Soap' and 'Who's the Boss,' which was great fun, and then went on 'Coach' and 'Everybody Loves Raymond.' I've been truly blessed, and the work has all been fun and a joy.
C. S. Lewis
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