Quote of the Day
You know, fame is a funny thing, man, especially, you know, actors, musicians, rappers, rock singers, it's kind of a lifestyle and it's easy to get caught up in it - you go to bars, you go to clubs, everyone's doing a certain thing... It's tough.
A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
I don't dislike rappers or hip-hop or people who like it. I went to the Def Jam tour in Manchester in the '80s when rap was inspirational. Public Enemy were awesome. But it's all about status and bling now, and it doesn't say anything to me.
I just feel like, with rappers, there's so much complacency. It's like, 'Oh, I'm a rapper. I'm successful. I make money. That's all that matters.' But there's a lot of stuff going on in the world. Whether or not you're aware of it, it's happening.
In hip-hop, what you have is you have a lot of formulaic-type bands or rappers that come up. They saw something on the radio, and they want to mimic that formula. And that's just boring. I don't wanna record something just to make money; I want to record something to enjoy it and have fun because I'm a music lover.
I try to really capitalize off of what other rappers really can't do. There are opportunities that rappers I love simply can't get, because... you know... I don't have the tattoos; I have a different image.
Rappers aren't the really rich ones. We all have nice houses with studios and cars, but you need a piece of someone's business to be super wealthy.
I want people to follow their dreams, yes... but I'm not interested in telling young black kids how to be rappers... I want to show them that there's so many other paths you can take, besides a rapper or basketball player.
You know, Castle's the kind of guy that when he meets somebody, that's a connection for him. He remains connected to the people that he meets. That's the kind of guy he is, be they criminals, gangster rappers, mafia guys, art thieves, whoever it is, he nurtures those relationships.
However, people need to understand that it ain't that deep to try and convince people of what your persona is. You are who you are, and what you are will show in time. What you aren't can be hidden, but eventually it will come to light. Long story short: rappers should never take themselves too seriously.
Rhyme patterns are nothing without meanings to the words. A lot of rappers can do those flows, but the raps aren't really about anything - which is cool sometimes, but to have the flow and the message is one of my favorite things.
There's something about being any kind of entertainer that is acting. You have to put on a show. Things you wouldn't do in your life, you do on stage. You have to let go. And that's extra hard for rappers. We have a tendency to, quote unquote, keep it real. As an actor, you have to be able to humiliate yourself. Do whatever it takes.
I don't consider myself an A-list celebrity or a big dog, but every time I meet somebody, even rappers who've been in the game for years... they're like, 'Man, I'm trying to get on your level.'
I'm not saying that hip-hop needs gay rappers or anything, but they need to stop being so close-minded because that will just cause the genre to fail. Look at pop. Pop doesn't discriminate against people. Look at Lady Gaga, y'know what I mean?
I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
Few rappers realize the genre sprang from West African griots through Delta slave songs to jazz poetry and the comedic trash talk of 'the dozens.'
I think swag is very important to rappers. It's the overall appearance and style of an artist - these blue shorts and this blue hat and this $80,000 chain, this jewelry and all these tattoos, that's swag.
I understand what rappers are talking about. I think rap is less about educating people about the black community and more about making money.
You can write a great country record and still be angry. Who's angrier than Toby Keith? He's angrier than the average 10 rappers.
I would suggest that teachers show their students concrete examples of the negative effects of the actions that gangsta rappers glorify.
I was a hop-around. I hung out with the rockabilly crew, the guys who were trying to be rappers, the funny kids.
I want to see 10 female rappers getting regular rotation. It can't be all about a man's opinion.
It is crucial that rappers have the chance to express the truth that is in their heart.
Martin Luther King, Jr.
John F. Kennedy
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