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When I was a kid, Halloween was strictly a starchy-vegetable-only holiday, with pumpkins and Indian corn on the front stoop; there was nothing electric, nothing inflatable, nothing with latex membranes or strobes.
After I left the Pumpkins, I went home and just sat around. I have a studio in my basement, and I found myself writing all these songs, just taking advantage of the relaxed situation. I wrote about 30 songs in about 30 days.
In Britain, the major public holiday used to be Guy Fawkes Day... that was celebrated on November 5th with things like bonfires and fireworks... I think that made Halloween seem preferable. The idea of having pumpkins and costumes and parties seemed much more appealing than burning down your neighborhood.
When I had a job catering, I catered a wedding for the Smashing Pumpkins bassist in Indiana. And I served Billy Corgan shrimp off a tray.
I want to be 'Jimmy Chamberlin, the drummer, the musician who's done many things,' not just 'that guy from the Smashing Pumpkins.'
I always wanted to be in this role, as a songwriter. In the Pumpkins, it was always impossible because Corgan would wake up and write five songs. He was so prolific, there wasn't a lot of room for anyone else.
I left the Pumpkins in 2010, and I just took a year off to hang with my family and be with my daughter and my son and my wife, and just get acclimatised to being off the road. Then I started looking at what was going to be the next part of my career/legacy, whatever you want to call it.
Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.
The first real concert, other than going with my dad to see Three Dog Night, was Smashing Pumpkins and Garbage. I was fourteen or fifteen. I liked Shirley Manson because she reminded me of Annie Lennox. They both have these deep, sexy, powerful alto voices.
The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on.
You will never see the four original Pumpkins on stage ever again, unless it's a Hall of Fame thing. But you would never see a tour. There's so much damage, there's no way.
My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
I learned how to play guitar by playing along to Jane's Addiction records and Smashing Pumpkins records, things you can totally hear if you listen to my guitar.
I was never able to get through Mellon Collie and the Infinite Sadness. I've never been able to make it through. And I love the Smashing Pumpkins, they're one of my favorite bands ever, but I've never been able to listen to the whole thing all the way through.
I never wanted to leave the Smashing Pumpkins. That was never the plan.
I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
I learned to glitter the pumpkins for Halloween not because I went into it thinking, 'I'm going to glitter some pumpkins!' No. I bought all of these big, cold, slimy, disgusting pumpkins and tried to carve them, and it was gross, so I had to find something else to do with them. Glitter was life-changing.
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