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The Internet is the hope of an integrated world without frontiers, a common world without controlling owners, a world of opportunities and equality. This is a utopia that we have been dreaming about and is a world in which each and every one of us are protagonists of a destiny that we have in our hands.
That's what protagonists do. They work hard, they have a conflict, they overcome the obstacles.
Tunisia's responsibility, and especially that of its political and intellectual elites, is enormous. All the protagonists of the nation's social, cultural, economic and political life must work to overcome useless and counterproductive polarisation, and to find solutions to domestic, regional and international problems.
A true nature is a gloomy monolith, sort of like that old black rotary phone that I had to sing 'Happy Birthday' to Grandpa on. But novelists, damn us, still need true natures - so we can give them to our protagonists. And so readers can vaguely predict how they'll behave when we trap them in 'situations' that they can't IM their way out of.
With the crime novels, it's delightful to have protagonists I can revisit in book after book. It's like having a fictitious family.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
I'm interested in flawed protagonists. I was raised on them.
While books provided me with some escape from the mental and physical horrors of my early life, they were unreliable. Many times the protagonists suffered terribly and then died at the end.
Everyone likes a bit of variety. I'm sure none of my readers only want to read about anti-heroes or villainous protagonists any more than they only want to read about square-jawed heroes doing the right thing. I just write characters than entertain me and hope they'll be ones that other people want to read about, too.
Once a newspaper touches a story, the facts are lost forever, even to the protagonists.
Since so many romantic comedies vary little in their storyline, the success or failure of such movies depends largely on whether we believe in the relationship of the protagonists.
I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
Films with female protagonists don't attract many eyeballs. Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest.
It is a commonplace that the League of Nations is not yet-what its most enthusiastic protagonists intended it to be.
I think as women we've always been very used to growing up reading and identifying with male protagonists, especially in fantasy. There's a saying in publishing that girls will read about boys, but boys will only read about boys, and it's important to give women strong heroines.
But protagonists are protagonists and heroes are heroes.
You don't need to like your protagonists.
You have to go out of your way as a suspense novelist to find situations where the protagonists are somewhat helpless and in real danger.
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.
Women are never the protagonists; we're always reactionary against everything that's done to us. I like people who write for women that have got a bit more about them.
The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but also speak about the frustration or, rather said, the curse of both protagonists, even before happened what happens them.
In the past, I'll admit, I've enjoyed being compared to the protagonists in my screenplays.
'Argo,' 'Lincoln,' and 'Zero Dark Thirty,' three films honored with Best Picture Oscar nominations, lionize their Washington-anchored protagonists as crafty, competent, and virtually incorruptible.
Leonardo da Vinci
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