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I'm a human entropy producer.
Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
I'd been a housewife and mother to our son Thomas Jefferson, and I was looking for a new career. So when my agent called and said a producer named Paul Elliott from E&B productions, the biggest panto company in the country at the time, wanted to meet me I agreed.
The media love coarse debate because coarse debate drives ratings and ratings generate profits. Unless the TV producer happens to be William Shakespeare, an argument is more interesting than a soliloquy - and there will never be a shortage of people willing to argue on TV.
I can't wait to work for Rick Kaplan. He's a great producer. I would host an infomercial if he would produce it.
I won't quit until I get run over by a truck, a producer or a critic.
With music, you're working with a producer, and you walk out of the studio six hours later with a track that's almost completely finished. There's an almost immediate payoff.
I played a paraplegic on a show called 'Neighbours.' Just turned up on set, sat in a wheelchair. The producer came up to me one day and said, 'We have to cut around that entire scene because your leg was moving.'
I don't think you can mix classical music and reggae. It's not possible. But some producer in, like, Norway is going to put it together.
My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I'd like to build something to that effect.
It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.
I was too heavy to be a jockey and too honest to be a producer, so I became a writer.
When I was 17, my producer Rodney Jerkins was working with Michael Jackson at the time. He knew how much I wanted to meet Michael Jackson, so he says, 'Would you like to come and meet him?' I'm like, 'Are you serious? Of course I want to meet Michael Jackson! Where do I meet you? Where do we come?'
Producer's Surplus is a convenient name for the genus of which the rent of land is the leading species.
With technology you can now be your own record company, director, producer, etc. If you have talent, you can display it on the Internet and the world will tell you their thoughts in the matter of seconds!
I wrote an episode for 'thirtysomething,' and a producer said, 'That's really good, but what is it about? What does it say about you? What questions are you asking yourself?' I had never thought about that. This comment changed who I was, because it made me look at my own soul, the dark corners in my soul, and accept that dark side.
A producer has to know all about everything from set-building to costumes to acting.
About a year ago I got really exhausted from reading bad scripts and I know that I am a writer and that I have stories to tell, so I thought, 'Let's do this!' So I'm co-writing a screenplay now with another screenwriter and loving it. Absolutely loving it. And I would like to be the producer on the project and of course the lead is me.
I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
I got out of high school, bought a recording studio and started operating it as an engineer and a producer.
T Bone Burnett
As a producer you have creative control, and that's what is so exciting about it. At the end of the day, if you have made a film it's totally your responsibility, and if it works it's your responsibility and if it doesn't it's also your responsibility.
If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.
I bought a year's production of flax from a single field owned by a Dutch producer. That's 10,000 kilograms of flax, enough to enable industrial level production. Now, I'm weaving it into tablecloths, tea towels, and other items at the Textile Museum in Tilburg. I'm producing hundreds of grown-up products!
If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it.
Martin Luther King, Jr.
Leonardo da Vinci
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