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When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
Everybody gets a little dose of Shakespeare. He's the greatest playwright in the English language, but his politics are fairly square.
For millions of women and men around the world, the playwright Eve Ensler is a beloved figure. She represents the epitome of the politically engaged artist, someone who uses her creative brilliance to illuminate injustice and give voice to the voiceless.
The mission of the playwright is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play.
I became frustrated early on as a playwright by a kind of smug smallness in modern drama. There was a lack of what I now understand as courage in the work of others as well as in my own work, and I found I was mildly amused or interested by such plays but not deeply engaged or enlightened.
I want to be a playwright the way people are bank tellers. I want to keep doing it and have it go steadily and smoothly.
I am a better novelist than a poet, playwright, or essayist.
If the playwright knew every little thing about his play, why bother? There must be discovery all the time, otherwise why bother to do it?
I'm happy that I feel a little less out of place in filmmaking than I once was - but it's almost impossible for a playwright in the U.S. to make a living. You can have a play, like I did with 'Angels,' and it still generates income for me, but it's not enough for me to live on and have health insurance.
Hollywood sometimes tends to patronize the interior of the United States. As Horton Foote used to say, the great Texas playwright, that a lot of people from New York don't know what goes on beyond the South Jersey Shore.
It's an odd mix, the life of a playwright.
In theater, the playwright is the boss, period. The decisions will go through him or her. In movies, the writer is pretty far down on the list.
You can't be a playwright without believing there's an audience for adventurous work.
David Henry Hwang
Of course, you would have to be insane to hope your child grows up to be a playwright or poet. Given the odds, you would have to be quite cavalier about your children's future.
One of the best things that happened for me as a playwright is becoming a comic-book writer.
I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
If I had not had music in my life, I would be the neurasthenic vision of the playwright.
But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
A prose writer never sees a reader walk out of a book; for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it.
I was a writer. I just wasn't a very good one. I was lucky enough to have a playwriting teacher who told me that I'd be a better actor than I would a playwright.
I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.
When you tell people you're a playwright, their eyes sort of glaze over. But when you say you write the 'Fantastic Four' or 'Spider-Man,' they perk up. It's a touchstone that has gained more credibility as artistic expression.
My plays aren't stylistically the same. Just being an African-American woman playwright on Broadway is experimental.
I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
Martin Luther King, Jr.
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