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At the descriptive level, certainly, you would expect different cultures to develop different sorts of ethics and obviously they have; that doesn't mean that you can't think of overarching ethical principles you would want people to follow in all kinds of places.
Places I've lived since then had to have some kind of uniqueness and character about them. And logically Key West, and then Down Island. So, all of that stuff sort of had it's roots in New Orleans and went crazy.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
Life is a lot more interesting if you are interested in the people and the places around you. So, illuminate your little patch of ground, the people that you know, the things that you want to commemorate. Light them up with your art, with your music, with your writing, with whatever it is that you do.
I get so tickled when that pilot happens to be an African American because I rarely see that. The same is true when I go to find restaurants. I mean, most places I go, I kind of have some idea who the chef is, which is why I want to go.
There's something really magical about having a child - it's like permission to begin again, start over, reevaluate some things, check yourself. Recognize yourself. And that's kind of what happened with me - I realized, in a few places, I was going down the wrong path.
My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.
To be able to travel the world, especially to places I never thought I'd be... it's really, you know, still fascinating for me.
Our foreign policy has made a wreck of this planet. I'm always in Africa... And when I go to these places I see American policy written on the walls of oppression everywhere.
I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it.
I think you can write very good comedy without a partner, but what I love about it, working with a partner, is that you get to places you'd never get on your own. It's like when God was designing the world and decided we couldn't have children without a partner; it was a way of mixing up the genes so you'd get a more interesting product.
Some of us must wait for the best human gifts until we come to heavenly places. Our natural desire for musical utterance is perhaps a prophecy that in a perfect world we shall all know how to sing.
Each of the bracelets I wear is from a long trip I've taken. One is from Nicaragua. One is from Nepal. One is from Guatemala. One is from Laos. They don't come off. I walk into a lot of very high-level boardrooms now, and I present to distinguished conferences, but these bracelets remind me of the places I've been and the people I've met.
Of course there is still unexplored terrestrial territory, but most of it is waterlogged. Submersed secret places, such as the Challenger Deep, which today lure hi-tech adventurers like Richard Branson and James Cameron, will undoubtedly provide welcome fodder for 'National Geographic.'
I hate tricky facial hair. If your facial hair is too spotty in places, shave. Just forget about it.
It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form, as the trees and hills, and as our faces are.
What makes community organizing especially attractive is the faith it places in the ability of the poor to make decisions for themselves.
Look, architecture has a lot of places to hide behind, a lot of excuses. 'The client made me do this.' 'The city made me do this.' 'Oh, the budget.' I don't believe that anymore.
Circumstances in life often take us places that we never intended to go. We visit some places of beauty, others of pain and desolation.
Anytime new insight replaces an old assumption or a fossilized perception is the spring. New understandings sprout, new tolerances appear, and new curiosity draws you to previously dark places. Just as the sun shines earlier and longer in the spring, changes that seemed impossible appear to be possible with each new insight into your own health.
The good Lord didn't see fit to put oil and gas only where there are democratically elected regimes friendly to the United States. Occasionally we have to operate in places where, all considered, one would not normally choose to go. But we go where the business is.
Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn't say that I'm a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.
Lady Bird Johnson did more than plant flowers in public places. She served the country superbly by planting environmental values in the minds of the nation's leaders and citizens.
Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
John F. Kennedy
Martin Luther King, Jr.
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