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On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
The first songs I learned was 'Crazy' by Patsy Cline and 'At Last' by Etta James. I had been growing up with the Beatles, Pink Floyd, great bands.
One of my first records that I heard was 'Wish You Were Here' by Pink Floyd.
When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.
Pink Floyd are one of a handful of bands I've listened to a lot and whose concerts I've been to. I love the experience. I don't dance; I just jig up and down like everybody else.
In the end, my children put me on to Pink Floyd when they were teenagers.
You'd have to be daft as a brush to say you didn't like Pink Floyd.
Pink Floyd is like a marriage that's on a permanent trial separation.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
If you had a successful TV show, people wanted to see you live. Promoters had had practice with pop groups, and 'Python' achieved a similar status. We also had lots of rock star fans - George Harrison, Pink Floyd, Robert Plant. Promoters saw that and liked it.
As everyone else, I was a fan of Pink Floyd in the sixties.
The expectation on me as a solo artist is very different to the audience's expectation of a Pink Floyd show.
I don't want to be a full-time member of Pink Floyd all my life.
Well, I am David Gilmour, the voice and guitar of Pink Floyd. I have been since I was 21.
If you look in my CD case, you'll see it's Pink Floyd, The Rolling Stones, The Beatles, now I can't think of anyone else, but all that stuff.
There are so many ingredients that are contained in 'The Wall' that were not necessarily contained in other Pink Floyd records, particularly following on from 'Animals,' which was very spare and sparse. Production on it was much more massive, the complexity of the recording was much more intense.
I guess I've never been introduced properly to Pink Floyd. I know they're great, don't get me wrong. Excellent, excellent musicians; great band; awesome harmony; great song writers; I just don't know anything besides, I guess, the popular songs on the radio.
Well, I love Pink Floyd, so I wouldn't be offended by it. I only intentionally robbed them three or four times.
I grew up in a total Pink Floyd house.
Every day, I hear a song and I think, 'This would be great to cover on Glee.' I like Led Zeppelin, of course, and Pink Floyd, Alice in Chains.
I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.
The Weezer 'Blue' Album is a classic. I think My Morning Jacket's 'Circuital' is a great album to have. Any Led Zeppelin album. Pink Floyd 'The Dark Side Of The Moon' or 'Animals.' I always catch myself at concerts being like, 'Oh, I just stared at the drummer for 15 straight minutes.' I study them.
I grew up listening to classic rock - the Kinks, Genesis, The Who, Pink Floyd.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
C. S. Lewis
Martin Luther King, Jr.
Leonardo da Vinci
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