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I feed on art more than I ever do on photographs. I can admire photography, but I wouldn't go to it out of hunger.
To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis.
Life is not significant details, illuminated by a flash, fixed forever. Photographs are.
My photographs are not planned or composed in advance, and I do not anticipate that the onlooker will share my viewpoint. However, I feel that if my photograph leaves an image on his mind, something has been accomplished.
You can't see fear or lust; you can't photograph someone's anxieties, how disappointment feels. Photographs are approximations.
I feel like I need to start wearing a T-shirt saying 'This is not a photo opportunity'. People are so lovely but you do find that when you're out you spend 40% of your time posing for photographs.
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
Twelve significant photographs in any one year is a good crop.
Photographs aren't accounts of scrutiny. The shutter is open for a fraction of a second.
Of all liars the most arrogant are biographers: those who would have us believe, having surveyed a few boxes full of letters, diaries, bank statements and photographs, that they can play at the recording angel and tell the whole truth about another human life.
A. N. Wilson
In 3-D filmmaking, I can take images and manipulate them infinitely, as opposed to taking still photographs and laying them one after the other. I move things in all directions. It's such a liberating experience.
The camera photographs what's there.
Americans are always mortified when I tell them this, but in England, it's a tradition to put your plaques and photographs and awards and gold records and stuff in your bathroom. I don't know why.
As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure.
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.
When I started performing, there was no Internet; I didn't really have anything to copy. I kind of had to just make up what I thought burlesque was, based on photographs of Sally Rand or whatever.
Dita Von Teese
I became an adult in an extreme way. I was recently sorting some old photographs and I found another.
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
We fought in 1974 - that was a long time ago. After 1981, we became the best of friends. By 1984, we loved each other. I am not closer to anyone else in this life than I am to Muhammad Ali. Why? We were forged by that first fight in Zaire, and our lives are indelibly linked by memories and photographs, as young men and old men.
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
The photographer begins to feel big and bloated and so big he can't walk through one of these doors because he gets a good byline; he gets notices all over the world and so forth; but they're really - the important people are the people he photographs.
The reason I do photographs is to help people understand my music, so it's very important that I am the same, emotionally, in the photographs as in the music. Most people's eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they'll understand the music.
I have a vision of life, and I try to find equivalents for it in the form of photographs.
If I feel confident wearing something, I think it translates in photographs. It changes my demeanor and posture.
'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography.
Martin Luther King, Jr.
John F. Kennedy
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