Quote of the Day
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While photographs may not lie, liars may photograph.
We fought in 1974 - that was a long time ago. After 1981, we became the best of friends. By 1984, we loved each other. I am not closer to anyone else in this life than I am to Muhammad Ali. Why? We were forged by that first fight in Zaire, and our lives are indelibly linked by memories and photographs, as young men and old men.
Putin himself is a character out of fiction, an uber-macho former Soviet thug running a massive, expansionist kleptocracy. The man stages photographs riding horses barechested and hunting tigers. His enemies find themselves on the wrong end of radioactive poisoning.
If I feel confident wearing something, I think it translates in photographs. It changes my demeanor and posture.
Life is not significant details, illuminated by a flash, fixed forever. Photographs are.
I never thought I was particularly good looking. But when I see old photographs, I realise that I was. I do wish I had known that at the time because beauty is power. I didn't realise how lucky I was to be young, beautiful and in Hollywood. It didn't hit me. Every day I woke up, went to the film studio and just got on with it.
I think people are more apt to believe photographs, especially if it's something fantastic. They're willing to be more gullible. Sometimes they want fantasy.
Twelve significant photographs in any one year is a good crop.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
Photographs aren't accounts of scrutiny. The shutter is open for a fraction of a second.
Of all liars the most arrogant are biographers: those who would have us believe, having surveyed a few boxes full of letters, diaries, bank statements and photographs, that they can play at the recording angel and tell the whole truth about another human life.
A. N. Wilson
The camera photographs what's there.
In 3-D filmmaking, I can take images and manipulate them infinitely, as opposed to taking still photographs and laying them one after the other. I move things in all directions. It's such a liberating experience.
Americans are always mortified when I tell them this, but in England, it's a tradition to put your plaques and photographs and awards and gold records and stuff in your bathroom. I don't know why.
All photographs are accurate. None of them is the truth.
As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure.
No journalist has ever been in my house and no photographs have ever been taken of where I live. I don't parade my family out for display, which is the way it will stay.
When I started performing, there was no Internet; I didn't really have anything to copy. I kind of had to just make up what I thought burlesque was, based on photographs of Sally Rand or whatever.
Dita Von Teese
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.
My photographs are not planned or composed in advance, and I do not anticipate that the onlooker will share my viewpoint. However, I feel that if my photograph leaves an image on his mind, something has been accomplished.
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
'Potato-chip news' is news that's repetitive, requires little effort to absorb, and is consumable in massive quantities: true crime, natural disasters, political punditry, celebrity gossip, sports gossip, or endless photographs of beautiful houses, food, or clothes.
The reason I do photographs is to help people understand my music, so it's very important that I am the same, emotionally, in the photographs as in the music. Most people's eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they'll understand the music.
Few Americans have ever met their Congresspeople. They don't see them at the grocery store; they don't meet them at the bowling alley. They're more likely to see their representatives in photographs from the Daily Grill in Washington, D.C., than at a local town hall.
A. P. J. Abdul Kalam
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