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In singing, there's a vibration that comes from deep down inside, literally from your sex. When you put out that vibration, people can feel it. Billie Holiday does it. Peggy Lee does it. It's very hot.
There was a subtlety about Peggy Lee. It was powerful. There was a valuable use of space. Everything was not cluttered. Her voice was out front and was the key instrument.
I was named Margaret Yvonne. 'Margaret' because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy, and I suppose she wanted a Baby Peggy of her own.
Yvonne De Carlo
I wear my Peggy Fleming T-shirt when I go to sleep every night before I compete, and for the past four years, it's brought me incredible good luck.
Peggy Atwood, Alice Munro, Hugh Hood, Michael Ondaatje - these are all old friends from my early 20s.
In so far as I have any beliefs, I suppose I'm like that old Peggy Lee song, 'Is That All There Is?' I want to believe there's something else going on, but what that something else is I don't pretend to know.
The Best of Elvis Presley, Doris Day, Jerry Lee Lewis, Bill Hailey and the Comets, Frank Sinatra, Peggy Lee, Frankie Laine all topped the charts in the '50s. Load a playlist of rock n' roll royalty. You're spoilt for choice.
Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.
One of the reasons you take a role is because it's something you always wanted to do, from going to the movies as a kid. I always wanted to do a 1950s movie, for example. And I got a chance to be in 'Peggy Sue Got Married.' I would have taken only one line of dialogue to be in that.
I used to be with a publishing house called Roosevelt Music. A gentleman there told me he had seen Peggy Lee perform Fever in Las Vegas and I found out later she wanted to record it.
Sometimes Peggy herself would sell tickets to her museum, and if tourists asked her if Mrs. Guggenheim was still alive, she'd assure them she wasn't.
Then I went through a big Peggy Lee stage, then I became Annie Ross, then Judy Collins.
There were no competitions on television. The first skating competition I ever remember seeing on television was the 1968 Olympics when Peggy Fleming won.
I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.
Evan Rachel Wood
I didn't know about competition or the Olympics until Peggy Fleming won in 1968. My mother looked after all of the competition stuff. I just skated. I didn't really love competition, but that was the only way to get better. You'd see more talent.
When I was growing up, there were very few women athletes. I remember watching Olga Corbett, but Peggy Fleming and Janet Lynn were my role models. I never dreamt that I could be at that level. I remember thinking they seemed so elegant and regal and powerful and feminine.
The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
If I'm driving to L.A. and have anxiety about making the drive, if I've got Peggy with me, we're cool.
'EastEnders' has been wonderful to me and it's no secret that it changed my life all of those years ago. I'll be so sad to leave Peggy behind; she's such a wonderful character to play. I have had the pleasure of working with a marvelous cast and crew and have made many lasting good friends.
I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.
Every musician liked Peggy Lee, but not the general public.
I started with Bobby Darin. He signed me to Capitol when I was 15. I was 14, getting ready to be 15. Then the next encounter I had was with I think Peggy Lee. I sang background with The Blossoms with Darlene Love.
Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things.
John F. Kennedy
Martin Luther King, Jr.
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