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I don't like apartments - the idea of other people living, copulating and defecating above me - they make me feel as trapped as a slice of ham in a sandwich. When I was a student in Paris, I always rented attics right at the top of buildings, and as soon as I was making enough money, I bought houses.
I have one of those Garmin watches, and I'm OCD about downloading my runs no matter where I go. I used it on an 18-mile run in Paris, a 12-miler in the mountains of Montana, a couple of runs in the Bahamas. Wherever I am, I try to run. That's what's so great about it.
My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.
Whoever would have guessed that in the land of cheap sausages and mashed potatoes there could be such a change which would actually bring the French from Paris every weekend to invade Britain en masse to eat great food and drink great wine.
In Paris, it used to feel like you were living in a museum. As beautiful as it was, it's still limited. But here you have just everything.
The thing about Paris, it's a great city for wandering around and buying shoes and nursing a cafe au lait for hours on end and pretending you're Baudelaire. But it's not a city where you can work.
People ask me where I live most of the time, and it's kind of complicated for me to answer, because I'm not really sure. It's somewhere in between London, Rome, Paris, and Rio.
It was just this crazy craziness, and the fact that it was shot in Paris, and it had these incredible people in it. It was an easy thing to say yes to.
Bus routes reach the most obscure corners of Paris. There's also the Metro - and especially the great Line No. 1, which runs on tires under the Champs-Elysees and beyond.
Parisians overwhelmingly buy small cars. And it's not because people are petite, but because fuel is drop-dead expensive. Gasoline costs more than twice as much in Paris as in New York.
It's just fun to be in Paris.
Prague is the Paris of the '90s.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story.
Paris is an ideal place to become informed, while Venice is a place to think and write.
Paris is certainly one of the most boastful of cities, and you could argue that it has had a lot to boast about: at various times the European centre of power, of civilisation, of the arts, and (self-advertisingly, at least) of love.
When I'm sitting in a casting room in Paris, I'm not the thinnest model. Sometimes I'm not the most flat-chested, either.
I am a curious creature and put my finger in as many cakes as I can: history, film, technology, etc. I'm also a freak for urban history, particularly Barcelona, Paris and New York. I know more weird stuff about 19th-century Manhattan than is probably healthy.
Carlos Ruiz Zafon
I love 'Breathless,' and 'Paris, Texas,' and 'Badlands.' I was obsessed with those films in my teens. I remember watching 'Badlands' and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.
Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
As for the role of France and Germany: French politics is often more self-confident then German politics due to the catastrophe in the first half of the last century. If Berlin and Paris don't agree, then it is difficult to make progress in Europe.
In the '60s when I was a student, there was this campaign to destroy 75 percent of the old buildings in Paris, replacing them with modern architecture. I realized this as a dangerous utopia. This modern vision did not understand the richness of the city. Thankfully, such destruction did not happen.
Christian de Portzamparc
The bohemian life that reigned in Paris until the end of the '50s is gone. The artists had more time to think, to reflect; success didn't come so suddenly.
A pig's trotter is a fantastic thing. The first night of my honeymoon in Paris, my wife fell asleep in her steak tartare, so my trotter kept me company.
Heading to Paris when I was 17 and modelling exposed me to high fashion, which influenced me to dress on-trend - not extravagantly, but always in fashion.
Martin Luther King, Jr.
John F. Kennedy
C. S. Lewis
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