Quote of the Day
Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality is more important than the feeling for pictures.
Vincent Van Gogh
I was raised around a lot of artists, musicians, photographers, painters and people that were in theater. Just having the art-communal hippie experience as a child, there wasn't a clear line that was drawn. We celebrated creative experience and creative expression. We didn't try and curtail it and stunt any of that kind of growth.
Artists - musicians, painters, writers, poets - always seem to have had the most accurate perception of what is really going on around them, not the official version or the popular perception of contemporary life.
Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
When younger writers and poets, musicians and painters are weakened by a stemming of funds, they come to me saddened, not as full of dreams and excitement and ideas. I am then weakened and diminished, and made less rich.
I have tons of regrets, but I think that's one of the reasons that push people to create things. Out of their angst, their regret, comes the best from artists, painters and writers.
I take this art very seriously and passionately. I love what I do. You can't help but grow. That's not to say you don't make mistakes or make bad choices, but that's part of the art. Painters paint bad paintings.
The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.
It's a marvellous life, a gregarious life that we've had. We're very lucky in that way. Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?'
People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
Real painters understand with a brush in their hand.
I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions.
Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
The men resent a woman getting any honour in what they consider is essentially their field. Men painters mostly despise women painters. So I have decided to stop squirming, to throw any honour in with Canada and women.
At Sarah Lawrence, I realized that everybody was already what they were going to be. The painters were painting, the writers writing, the dancers dancing. And nobody wore any makeup. The art was uppermost.
They ought to put out the eyes of painters as they do goldfinches in order that they can sing better.
A thousand painters ought to be killed yearly. Say what you like: I'm every inch a painter.
I like the fact that in ancient Chinese art the great painters always included a deliberate flaw in their work: human creation is never perfect.
All painters are interested in photography to a certain extent.
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea.
It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world.
Painters hate having to explain what their work is about. They always say, 'It's whatever you want it to be' - because I think that's their intention, to connect with each person's subconscious, and not to try and dictate.
Painters must speak through paint, not through words.
Leonardo da Vinci
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