Quote of the Day
The world is a book, and those who do not travel read only a page.
If I want to knock a story off the front page, I just change my hairstyle.
I no longer do a film for the wrong reasons. I have to be convinced ethically and morally. Both the director and I have to be on the same page. There are just five songs in most films these days, and they have to be amazing. There has to be a twist in the screenplay. The editing has to be crisp. Your hard work should show, but effortlessly.
We've persevered because of a belief we share with the Iraqi people - a belief that out of the ashes of war, a new beginning could be born in this cradle of civilization. Through this remarkable chapter in the history of the United States and Iraq, we have met our responsibility. Now, it's time to turn the page.
We cannot tear out a single page of our life, but we can throw the whole book in the fire.
Writing is really very easy. Tap a vein and bleed onto the page. Everything else is just technical.
Creativity is always a leap of faith. You're faced with a blank page, blank easel, or an empty stage.
The turning point was when I hit my 30th birthday. I thought, if really want to write, it's time to start. I picked up the book How to Write a Novel in 90 Days. The author said to just write three pages a day, and I figured, I can do this. I never got past Page 3 of that book.
If I have the power to post 'Happy Birthday' on someone's Facebook page and make them feel really good, it feels really good to make other people feel really good. I love it. I'm a huge Facebook and Twitter person. And I love talking to my fans. It's fun.
Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.
I absolutely loved Tina Fey's 'Bossypants' and didn't want it to end. It's hilarious as well as important. Not only did I laugh on every page, but I was nodding along, highlighting and dog-earing like crazy.
I revise obsessively. It's important to me to have a clean page.
Poetry and lyrics are very similar. Making words bounce off a page.
As long as my face is on page one, I don't care what they say about me on page seventeen.
The New York Times editorial page is like a Ouija board that has only three answers, no matter what the question. The answers are: higher taxes, more restrictions on political speech and stricter gun control.
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.
This union has been divided in like a civil war - brother against brother - sister against sister. And I'm pulling it together. We've already seen evidence of that in New York, in Pennsylvania, in California. The first thing is we have to get on the same page. We have to be united in one cause.
James P. Hoffa
I've had tons of bullies who would call me retarded, even on my Facebook page. It's sad and it really hurts. I want to tell people not to use the word. Don't say your friend's retarded when they do something foolish. If you have a disability, keep working hard. Whatever it takes, do it, and don't be mean to people.
I turn to the 'Telegraph's' obituaries page with trepidation.
And I love the twist. I love to fool you once, I love to fool you twice, and on the very last page, quite often - very last paragraph sometimes - I like to just play with your perception one more time in a way that makes everything that came before just a little bit different.
I'm writing a book. I've got the page numbers done.
Facebook mistreats its users. Facebook is not your friend; it is a surveillance engine. For instance, if you browse the Web and you see a 'like' button in some page or some other site that has been displayed from Facebook. Therefore, Facebook knows that your machine visited that page.
As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.
When we study Shakespeare on the page, for academic purposes, we may require all kinds of help. Generally, we read him in modern spelling and with modern punctuation, and with notes. But any poetry that is performed - from song lyric to tragic speech - must make its point, as it were, without reference back.
You know you've read a good book when you turn the last page and feel a little as if you have lost a friend.
A. P. J. Abdul Kalam
Martin Luther King, Jr.
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