Quote of the Day
- Page 3
I routinely oscillate between exultation and despair. Maybe at the end of the day I feel pretty good about what I've written, but the next morning I see that it's crap. Then I start again - make a new outline, do some more research, try to rethink the whole question.
I do not outline. There are writers I know and count as my friends who certainly do it the other way, but for me, part of the adventure is not knowing how it's going to turn out.
I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.
There's an outline for each of the books that I adhere to pretty closely, but I'm not averse to taking it in a new direction, as long as I can get it back to where I need it to go.
I read round the subject, I make a skeleton outline, and then I start work in the relevant archives. During the marshaling of the material, I copy the material from each archive file across to the relevant chapter in the skeleton outline.
I never played Freddy as real. In the true bible of Wes Craven's outline for the films, Freddy only manifests himself in dreams. And a lot goes into a dream, not the least of which is imagination. So Freddy is secondhand information. Freddy is an urban legend that's been handed down to these teenagers over the years.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
I never know what's going to happen in a novel. I don't have a plan or an outline.
SOON was the first novel where I used a rough outline. Usually I have characters and an idea and write as a process of discovery. Like working without a net.
Jerry B. Jenkins
One can, in principle, outline sort of a set of neural circuits that are critically involved and even identify disorders that affect different components of that neural circuit and see what happens if you knock out, for example, inability to recognize faces, how it affects your response to portraiture.
The outline is 95 percent of the book. Then I sit down and write, and that's the easy part.
That was, in writing the 'Twilight' script I had about five weeks to write that. I'd taken about a month to write the outline and then it was slam into a script and write it down fast because the writer's strike was looming.
The first sequel thing I wrote was this 'Forever Dawn' thing that will never get out, because it's horrid. But it's a really good outline for 'Breaking Dawn' - it's very similar. I knew what I was doing, which is good, because I think if I hadn't, there might have been a lot of pressure.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
In my stand-up, I generally improvise from an outline.
I am a big outliner. For my adult book, 'The Visibles,' I did not outline, and it took me two years to write because I just didn't outline, and I had no path.
The important discovery I made very early is that my novels had to be written without any given plan or outline. I can't do it in any other way. But then they are dependent on the sentences, my intuition, and, as I have experienced many times, the subconscious.
The way that I write novels in particular is I don't usually outline; I just write. Part of the fun is discovering what's happening in the story as I'm going along.
Well, I outline fanatically. I am a long thinker and a slow writer, though I am trying to get faster.
The way I outline has changed quite a bit from when I first started writing.
My hope that the Church will emerge as a strong leader in society is just that a hope. What I described in The Catholic Moment is not a prophecy but the outline of a possibility. There are no guarantees that my hopes expressed in The Catholic Moment will ever be realised.
Richard John Neuhaus
Outlining is like putting on training wheels. It gives me the courage to write, but we always go off the outline.
I never work from an outline, and often I don't know how the story will end.
I finally get to the place where the book has matured in my mind and I can hardly wait to start writing it. Then I just sit down and I start. I hit the go button. I have an outline, which is 70 pages, but I don't look at it. I never have to look at it.
Stephen J. Cannell
I outline fairly extensively because I'm usually dealing with real events. I don't need to give myself as much information as I used to, but I still like to have two pages of outline for every projected 100 pages of manuscript.
Chelsea Quinn Yarbro
John F. Kennedy
Martin Luther King, Jr.
Image of the Moment
Download the free
BrainyQuote iPhone/iPad app
Create beautiful picture quotes to share, and get Today's Quote in Notifications on your devices.
Get Social with BrainyQuote
Follow BrainyQuote on Facebook, Twitter and Google+ to share inspiring quotes with friends. Join now!
Image of the Moment
Quote of the Day
BQ on Facebook
BQ on Twitter
BQ on Pinterest
BQ on Google+
Quote Of The Day Feeds
Quote of the Day Email
© 2001 - 2015 BrainyQuote