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'Othello' is the most domestic of Shakespeare's tragedies and the one that's likely to strike a personal note with a lot of people watching it.
I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good.
Oh, there's so much ego with men; in their head, they can't possibly think about Tesco's when they are doing Othello. Er, why not? They want to think that they are such geniuses they can't muddy their day with domesticity, and I've got no truck with it whatsoever.
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me.
I've done 'Two Gentlemen of Verona,' I've understudied Iago in 'Othello.' I've done Mercutio in 'Romeo and Juliet.'
I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates.
There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian.
David Henry Hwang
I look forward to the day when indigenous actors can play Hamlet and Ophelia and not just Othello and Desdemona.
A character I would love to play is Iago, from Othello.
I saw 'Othello' at the National Theatre in London, and it was so stunning. I was so moved. It's beautiful.
'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.
I can always do theater; I can do Ibsen, I can do Macbeth, I can do Chekhov, I can do Moliere, Othello, I can do Richard III.
I'd like to do more Shakespeare. I'd like to do Iago in Othello. I look so benign. It would be interesting to see that black evil come out of my soul.
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.'
I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.
Shakespeare's 'Othello' was inspired by Cinthio's 'A Moorish Captain'; his 'Hamlet' came from Saxo Grammaticus's 'Amleth.'
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them.
I've played almost every lead character from Henry VI to Othello. I'm dying to tackle Richard III sometime.
Throughout my career, even as a very young actor, people have always said to me that they would like to see my Othello. They could see something of him in me, I suppose.
I did 'Othello' at the Oregon Shakes - I was at the Oregon Shakespeare Festival for two and a half years. That's where my training is.
Both Othello and Iago seem a bit cracked. If you spend 15 years being responsible for death and destruction, that sense of suppressed horror is strong.
Martin Luther King, Jr.
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There is no instinct like that of the heart.
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