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I have such a dancer's spirit that I tend to leap around the house. Once I leaped onto my bed and landed on the floor. But I danced more for myself than I did for other people.
T'Keyah Crystal Keymah
I have a collection of vintage sundresses, and I've never worn them because for some reason I always opt for shorts and a t-shirt. I wish I could commit to them. I will. I have a few really great pieces I've been holding onto for years.
It is very difficult to hang onto the relics of history.
If you look at the 19 hijackers who came to the United States in Sept. 11 to commit those acts, if you'd looked at them before they got onto a plane, you could probably say the same thing. There were various levels of expertise, various levels of competence.
Okay, I'm going to let you in on a little secret: I'm a very superstitious person. I'm walking onto the plane as we speak. I'm putting my hands on the outside of the plane and my feet are on the lip of the plane. I have to do it every time before I fly.
Earlier, looking lighter or slimmer never mattered to me. Frankly, I didn't care. I had more important things to do. But when I figured that it's not that hard, and I have the time, passion and patience to take it up, I jumped onto the health-wagon. I started working out.
I work out at Will Space four times a week. It's a private training gym. It's owned by my trainer, Will Torres. I just came from there, actually. I turned Mark Consuelos onto Will, so he goes there too. Today we boxed. It's every kind of cross-training you can do.
Early economic theory was rooted in the Italian, French, and Spanish traditions, which were subjectivist oriented. Then it shifted onto the terrible path by Smith and Ricardo and the British classical tradition, which is 'objectivist' - values are in inherent in production.
That is a lot of the reason I do what I do, to really spread the word and spread information and turn people onto different things they may not be, y'know, aware of. That is what Naked City is certainly about.
I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
You know, we don't have any decorative sprigs of rosemary; we're not placing little matchstick radishes onto an hors d'oeuvre... The food's gotta taste good. The concept's gotta taste good.
Short stories have no net. The writer cannot take a leisurely sixty pages to get things moving, or make a side trip onto a barely related subject, or slack off in the last forty pages. Everything is right now, right here, in the reader's grasp and mind's eye. The writer has twenty to thirty pages to entice, seduce, enter, and alter the reader.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
Stuntwork... once, I've really only done one thing, which is take a punch and transport myself into the air onto a mat.
I want everybody to worship the God of love instead of worshipping the God of hate and torture. But in the meantime, we don't want to force Jesus Christ on anybody and look that we are trying to force our beliefs onto others.
Mosab Hassan Yousef
I mean, this whole digital revolution is really eroding the director's importance on a movie because, number one, just from a practical standpoint, with floppy disks and the ability to put all of the film onto a disk, more people have access to the movie.
It's like one of those dreams you have when someone is chasing you. You're running as fast as you can, and someone's trotting behind you, just out of range, trying to grab onto you.
Beginning with a trip out to Ellis Island, I saw for myself where thousands of European immigrants took their first steps onto American soil, bringing with them nothing but their ambition: people such as Erich von Stroheim and Adolph Zukor.
It's only when we have nothing else to hold onto that we're willing to try something very audacious and scary.
I've been working with a holistic specialist, trying to bring my body into balance, and part of making that happen is putting my mom's death into a healthier perspective. I really need to let her go, let her go into the infinite. I can't keep hanging onto this rope that connects us.
When I was a kid, I used to see apparitions and have hallucinations, and my entire perception of the world was badly disoriented. And I had kind of a chaotic childhood because of that. I've really hung onto it, though. Because I actually like those feelings.
I know my boyfriend loves to have something to hold onto. There's a lot of men out there who do.
I think every fiction writer, to a certain extent, is a schizophrenic and able to have two or three or five voices in his or her body. We seek, through our profession, to get those voices onto paper.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
John F. Kennedy
Martin Luther King, Jr.
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