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Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.
When I played the Sahara Hotel in Las Vegas on New Year's Eve, I got to bring Wiley, my 85-pound black lab. He's responsible for my favorite New Year's memory of all: At the end of the show, he ran onstage and then out across all the tables in the showroom, sending champagne glasses and gamblers flying.
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.
Singing is about telling a story. When you are onstage, you get to be your own self... When acting, you're someone else.
I come from a big, loud family, and I'm the quieter one. Performing is something I have to switch on. I've heard I get real sassy onstage, which I'm not in real life! It's fun to be that person for an hour a night.
I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.
I meditate and pray before going onstage - it helps me focus.
I knew from the second I stepped onstage. I was like, yep, this is what I want to do.
Phil Hartman was brilliant, and Dave Foley is a really funny guy. Phil Hartman was actually even funnier offstage than he was onstage because he would say nasty things. Dave Foley's very funny, very witty guy, very quick.
I always say, 'Hip-hop takes me everywhere.' It's crazy when I step onstage, and people might not speak much English, but they know every word to your songs. It's kind of freaky, but it's really cool.
People don't know what it's like standing up there onstage, when you have a wall of people smiling at you.
I remember acting in a school play about the melting pot when I was very little. There was a great big pot onstage. On the other side of the pot was a little girl who had dark hair, and she and I were representing the Italians. And I thought: Is that what an Italian looked like?
I'd rather be onstage with a pig - a duet with Jennifer Lopez and me just ain't going to happen.
As a child, I loved being onstage. I loved singing, I loved the lights, I loved the adrenaline. I even loved learning lines. I was completely obsessive.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
I was standing onstage last year, and I felt like I wanted to be somewhere else. No matter how many people were out there, it all just felt like a blank sheet of paper.
Onstage, I am a devil. But I'm hardly a social reject.
The most memorable night of The Judy Garland Show for me was the night my mother pulled me out of the audience and sang to me onstage.
You get onstage and make other people feel happy. Make them feel good.
I couldn't be touring unless my husband was on the road with me, taking care of our son while I'm onstage and doing interviews.
Onstage, I find absolutely nothing but exhilaration in not talking.
The body cannot lie. You cannot be somebody else onstage, no matter how good of an actor or dancer or singer you are. When you open your arms, move your finger, the audience knows who you are, you know.
I specifically remember doing the musical 'Sweet Charity' at Stagedoor. I was playing Vittorio Vidal, which is a very funny part, and some other small roles. I couldn't really sing that well, but there were so many fun bits, and I just remember the tremendous adrenaline rush I felt from being onstage and hearing the audience enjoying it.
When you return to the same area a few times, you get that frequent rapport with the public and the fans of the music along with having a certain warmth when you walk onstage.
Martin Luther King, Jr.
Leonardo da Vinci
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