Quote of the Day
I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me.
Christopher Nolan's astounding third Batman feature, 'The Dark Knight Rises,' represents the true maturation of the superhero movie - and provides the key to understanding the bottomless craving moviegoers have for these films, 34 years after the Christopher Reeve Superman gave birth to the genre.
What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.
You don't face Nolan Ryan without your rest. He's the only guy I go against that makes me go to bed before midnight.
Nolan Ryan is pitching much better now that he has his curve ball straightened out.
And when I retired, trust me, not only did Nolan Ryan, but the entire Ryan family had withdrawals from baseball. And it was tough.
What man in his 40s would not like to look in the mirror and find Nolan Ryan?
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
It's about the characters, it's about the film, it's about the process of making stunning visuals and a huge, epic movie. It doesn't matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That's the villain of Chris Nolan's 'Batman!'
I never faced a pitcher with better stuff than Nolan Ryan.
Nolan has the strangest affect on people. You know, I think there's something very sad and little boy about him, but at the same time the way he goes about everything is so awkward and obnoxious. He can never say the right thing, you know? And I think if he just didn't try so hard and calmed down, people might actually like him a bit more!
All I had, originally, were pages of Nolan's dialogue. I think his character serves the story in a nice way. He's a Greek chorus for the goings-on in the Hamptons.
The only description for Nolan in the script was that he's a very bad dresser. I put on a red windbreaker and every other ugly, ill-fitting thing I could dig out. He was potentially written as a clean-cut nerd, but I wanted a darker spin.
Each director is different. Clint Eastwood and Chris Nolan are completely different, and I need to adjust to the story and character and the director and just my duty as an actor.
You know, I think Chris Nolan is an incredibly intelligent filmmaker, and I think Leonardo DiCaprio is an incredibly talented actor.
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