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When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
Mozart's music is like an X-ray of your soul - it shows what is there, and what isn't.
I'm not a culture snob. So while, of course, I think the Mozart 'Requiem' or, say, Beethoven's 'Ninth' are some of the greatest works of art in the history of humankind, that's not to say the Beatles or Queen or Simon and Garfunkel aren't brilliant, beautiful, important works of art that should be sung without a sense of irony.
If Beethoven and Bach hooked up with Mozart and made a band, they could be a distant runner up to The D.
Mozart's music is so pure and beautiful that I see it as a reflection of the inner beauty of the universe.
It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
We all drew on the comfort which is given out by the major works of Mozart, which is as real and material as the warmth given up by a glass of brandy.
I give a speech to the black freshmen at Harvard each year, and I say, 'You can like Mozart and ice hockey...' - and then I used to say 'golf,' but Tiger took over golf! - 'and Picasso and still be as black as the ace of spades.'
Henry Louis Gates
Most people in the Western world grow up with the received wisdom that Mozart was a genius. But few people necessarily know why. More than anyone else, he captured this something which is the human condition, the fine line that we all constantly dance between joy and pain, between absolute happiness and absolute heartbreak.
Mozart was a punk, which people seem to forget. He was a naughty, naughty boy.
If Mozart were around now he would write a killer rock song.
People forget that Mozart wrote for commissions. There's a thing in psychology where they think if it's popular, it can't be serious.
Nobody worked harder than Mozart. By the time he was twenty-eight years old, his hands were deformed because of all the hours he had spent practicing, performing, and gripping a quill pen to compose. That's the missing element in the popular portrait of Mozart.
Most people think that a widow is inhabiting some elegiac world of - it's like Mozart's 'Requiem Mass.' You know, it's very beautiful and elevated thoughts and some measure of dignity. I didn't have that experience at all. I had one pratfall after another.
Joyce Carol Oates
Well, Mozart is extraordinary not only in that he became virtuoso along the lines of his father, but that he had that compositional gift, that melodic gift. By the time he was four, he was doing piano concertos with harmony in the background.
In Mozart and Salieri we see the contrast between the genius which does what it must and the talent which does what it can.
I went to college on a classical piano scholarship. My grandmother made me practice one full hour a day. Every day. Man. I thought all she wanted was for me not to have any fun. Next thing you know, you have a career in music. Now, not everybody's going to go on and be Mozart or Michael Jackson. But music makes you smarter.
Mozart would play a counterpart with his left hand while using his right to mock it. It was blue, dark, shadowy - and it made me feel something. That's when I realized music was inside me.
When we hear some beautiful piece of Mozart or admire a wonderful building, we suddenly become present in ourselves. That's unusual nowadays because dishevelment and distraction have become an art form.
It is a sobering thought that when Mozart was my age, he had been dead for two years.
Mozart composed his music not for the elite, but for everybody.
When Mozart is playing in my room, I am in conjunction with something I can't explain... I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart.
You know who my gods are, who I believe in fervently? Herman Melville, Emily Dickinson - she's probably the top - Mozart, Shakespeare, Keats. These are wonderful gods who have gotten me through the narrow straits of life.
Beethoven and Beatles, Mozart and Michael Jackson, Paganini and Prince - I like them all.
There is a strange kind of human being in whom there is an eternal struggle between body and soul, animal and god, for dominance. In all great men this mixture is striking, and in none more so than in Wolfgang Amadeus Mozart.
A. P. J. Abdul Kalam
Martin Luther King, Jr.
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