Quote of the Day
Honestly, I'd love to be remembered as one of the best to ever pick up a mic, but if I'm doing my part to lessen some racial tension I feel good about what I'm doing.
If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.
Honestly, I never really put the mic down.
My live sound does not work in the studio, which is a completely different animal. Every little thing is detrimental to the sound. And if someone moves a mic, you've lost it. It's pretty much a case of 'lock the door and set up a police line.'
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
I auditioned for Robert Redford once and I was so starstruck I couldn't even speak. I had a mic wire at a screen test clipped to me and then I got kind of nervous and I paced in a circle and then took a step and tripped and fell on my face. You just have to forgive yourself and keep going on.
'Cars' has been a godsend. I mean, I get paid to talk into a mic. Honestly, I had no idea it would become as big as it did. When I first got the part of Mater, it was actually a small part. I did the voicing for it, though, and the animators liked it so much they rewrote the original script so that Mater could be in it more.
Larry the Cable Guy
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
I often take things I find in vintage crawls and hand them to a very good seamstress, who then replicates them and makes a more robust version in different colors, with a pocket for my mic pack.
Marina and the Diamonds
I was 18 when I started. I was hanging out with some friends and they asked if I had tried stand-up before. I hadn't, but I thought: 'What the hell?' So I went to an open mic night, and I liked it.
I'll never forget when we played Shepherd's Bush in London. We played 'I Run To You', and we put the mic out for the last chorus, and you could hear them singing the chorus with the beautiful accent that they have.
Enterprising law-enforcement officers with a warrant can flick a distant switch and turn a standard mobile phone into a roving mic or eavesdrop on occupants of cars equipped with travel assistance systems.
I normally work like a vampire. Around 8 to 9 P.M., what I call 'the spirits' actually show up, and then I just go in the booth and scream on top of a track. I only sing on the mic. I don't sit down and write anything.
When I performed at 'Open Mic U.K.' I had this connection with the audience that I'd never felt before, and I loved it. It was my first big thing, and looking out into the crowd... was just amazing.
The days of an open mic night when I'd rock up in an old jumper are over.
I'd like to say I'm R&B's savior. Whether that's the truth or not, I'm definitely going out there with my mic and my shield to declare, 'I am here to save R&B.' I will have the people saying, 'Sir, there is a man at the musical gates saying he is here to save R&B.'
I'm a huge karaoke fan. Oh my God. I'm one of those girls who don't give the mic away. It's a problem. I'm a closeted pop star.
I used to stand in front of the mic and cry.
Anybody with a sharp brain and a mic can become a comedian, but there's a need to move beyond it. The audience wants to witness the marriage of theatre, comedy and something more.
Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
We were gradually playing larger venues and in the early days PA systems were kind of non-existent. So to play loud, we had to use louder equipment. The PA systems back then didn't mic the instruments - only the vocals.
I can totally identify with the younger kids. I'll never do what Jon Spencer did to me when I was 16, though. I made a tape with my friends and I put it onstage right near his mic stand by the pedal board and he pulled it out with his foot, kicked it to the center of the stage, looked me in the eye and stomped it to pieces.
We don't live in an ancient era. Today, collaboration doesn't mean two singers standing next to each other at the mic to sing together.
Performing live actually thrills me. Just get me a stage, get me a mic, and I'm going to be happy.
But here I am today recording this and I'm in the studio with all the others on a clean mic. It's extraordinary, the actor's found a way of doing it for himself.
John F. Kennedy
Martin Luther King, Jr.
Image of the Moment
Download the free
BrainyQuote iPhone/iPad app
Create beautiful picture quotes to share, and get Today's Quote in Notifications on your devices.
Get Social with BrainyQuote
Follow BrainyQuote on Facebook, Twitter and Google+ to share inspiring quotes with friends. Join now!
Image of the Moment
Quote of the Day
BQ on Facebook
BQ on Twitter
BQ on Pinterest
BQ on Google+
Quote Of The Day Feeds
Quote of the Day Email
© 2001 - 2015 BrainyQuote