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I ended up buying a restaurant. Already we had invested in a gas station and a metal products plant.
If I have to spend prolonged periods of time in a trailer, I go mad. Stuck in a metal box doing nothing, I lie there paralysed with boredom.
The first 'Charlemagne' album is metal, of course, but what I sang was more symphonic.
People can talk about punk all they want, but after new wave put that down, metal is the voice of the disenfranchised and that need to become unhinged. That's why it appeals to so many people when they are younger and carries over when those people, at 40, don't want to grow up.
I thought if I lost the band, I was dead. If I didn't stick with the Who, I would be a sheet metal worker for the rest of my life.
It kills me when I see some metal band trying to pass themselves off as an 'alternative band.'
I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.
I'd get to within a yard of that door you walk through and the thing would go mad. I used to carry an X-ray in my briefcase, to show them. But I had all the metal taken out.
Metal guys are huge nerds. A good percentage of them are either horror or sci-fi or comic book or fantasy nerds.
Why would heavy metal ever go away?
I can remember being in my pram: children stayed in their prams much longer then than they do now. A big bouncy pram with black covers and a hood with metal clips that could trap your fingers. I was looking up at my sister who was sitting on the pram seat, with her back to me.
Hard rock for me is AC/DC, Def Leppard, Tesla, Kiss. Metal tends to be louder, ruder, darker, like Judas Priest, Slayer, Iron Maiden.
Metal never goes away. It drifts in and out, but the true fans are always there for it.
To do an extreme metal record is something that is well within my capacity as a musician to write stuff out of the box, write stuff that's probably more extreme than the band I'm in at the present time, and it's something that needs to come out of me one way or another.
More than anything, people want the reality of the discussion at hand. If what is going on in that building is the real thing, if the transforming love and power of Jesus Christ is being experienced, you can sit on a metal folding chair or in a plush theater seat.
It was awesome growing up in New Orleans because there were great metal bands, there were great hardcore bands, there were great thrash metal bands in the middle '80s and what-not. But then, take me out of New Orleans, and I moved to Fort Worth in 1987, and there's a scene there, too. And Texas absolutely has a different sound.
I want to be the Letterman of metal. I want five nights a week, Monday to Friday, 11 to 12, live. I always shoot for the moon.
Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.
I knew I wanted to be in music, but I didn't know my role, so I did everything from interning at Rolling Stone to writing heavy metal fanzines to playing in a high-school band, and I think all those things probably helped in a way.
Barry White, Smokey Robinson and Curtis Mayfield are big influences for me. But I'm also a metal head. I was in a bunch of punk rock bands. The Bee Gees, hip-hop and the Beach Boys are just as much of an influence on me as Smokey.
The first day at the power plant I found myself photographing some steam vents on the roof of the structure. And I remember consciously thinking that they were just like trees but they were metal.
Poor is the power of the lead that becomes bullets compared to the power of the hot metal that becomes types.
I remember when metal was something you really had to search out, and now I hear it on car commercials.
Metal has always been somewhat marginalized, and I love to prove the perception and stereotypes that go with it wrong.
I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.
Martin Luther King, Jr.
John F. Kennedy
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