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Quotes about Mel Brooks
Quotes by Mel Brooks
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I was always a big fan of Mel Brooks and Carl Reiner's '2000-Year-Old Man' sketch. I think it's one of the biggest influences on the podcast, definitely. You'd never say Carl Reiner was the funniest dude on there, because he's just teeing it up, but he knows what questions to ask to lead to great improv.
And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.
My dad had a commercial film company, so he had a videotape player before anyone. So he got Mel Brooks movies or Citizen Kane or some classic old movies. And every summer the revival house in Evanston would show the great films from the '50s and '60s and '70s.
'The Dictator' lands somewhere between wan Mel Brooks and good Adam Sandler, whose 'You Don't Mess With the Zohan,' about an Israeli Special Forces soldier at a hair salon, manages to strike better contrasts with vaguely similar culture differences - it's a nuttier movie, too.
The person who should really write an appreciation of the late great Dom DeLuise is Burt Reynolds, who, even more than Mel Brooks, made of the jolly, beanie wearing fat man a side-kick and a legend.
I'm a working-class former apprentice electrician; at the age of 14, if you'd told me I would one day be standing on a stage with Mel Brooks, I'd have thought you were off your head. But these things can happen.
John Gordon Sinclair
I mean I would still love to be in Mel Brooks' movies; he's great.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
Andy Van Slyke
Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.
Preston Sturges is one of my favorites. I learned about dialogue and timing from him - louder, faster, funnier. But I do love Mel Brooks.
I first got involved with Mel Brooks through 'The Elephant Man.' Everybody knows now, but they didn't know at the time that he was the producer.
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.
The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
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