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I couldn't have foreseen all the good things that have followed my mother's death. The renewed energy, the surprising sweetness of grief. The tenderness I feel for strangers on walkers. The deeper love I have for my siblings and friends. The desire to play the mandolin. The gift of a visitation.
I really want to write a novel. I also want to learn to play the mandolin.
I'm a farmer with a mandolin and a high tenor voice.
The sound of the mandolin is a very curious sound because it's cheerful and melancholy at the same time, and I think it comes from that shadow string, the double strings.
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love. Musically, I'm always finding my way home.
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love.
My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music.
That song has the full extent of my mandolin abilities; I'm not a good mandolin player at all.
When Jack White called and wanted me to do a video and play mandolin with The Raconteurs, I didn't know anything about The Raconteurs at that time.
My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.
I got my first instrument for Christmas when I was three or four years old. My parents got me a mandolin because it was the only instrument that would fit me because I was so small. I went straight from that into the drums when I was six, and then I started playing guitar when I was seven or eight.
My dad also plays a little banjo and guitar, my mom plays the mandolin.
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
Peter was sick of being a pop star, the guitar god, and so he decided to teach himself other instruments. Among the instruments that he picked up was the mandolin.
My dad's a photographer, and my sister is a writer and a poet. My little brother is a mandolin player - he's a bluegrass musician. It's always been a part of the family.
At the age of nine, playing the violin at school, and then onto the mandolin.
You know, I only claim to play three instruments. My dad is a banker, but a drummer at heart; and my mom used to teach piano lessons when she was younger. So I can play some piano, play a little drums, and fake the bass - but banjo, mandolin, and guitar are my thing.
I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.
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