Quote of the Day
No one drives in Manhattan - in fact, many of the folks who live in Manhattan don't even have driving licenses!
Our current identification system is so disjointed that the World Trade Center terrorists had a total of 63 valid driver's licenses between them.
First, we must stop issuing drivers' licenses to people in our country illegally. Providing them with forms of government identification makes a mockery of our laws and undermines national security efforts.
In fact, allowing immigrants to have licenses actually improves homeland security by allowing our government to track who is in our borders.
I have a big responsibility to my licenses. All my licenses draw from and take ideas from the runway.
The media has changed. We now give broadcast licenses to philosophies instead of people. People get confused and think there is no difference between news and entertainment. People who project themselves as journalists on television don't know the first thing about journalism. They are just there stirring up a hockey game.
The whole process of getting licenses to broadcast, which took place decades ago, was done behind closed doors by powerful lobbies, and wealthy commercial interests got all the licenses with no public input, no congressional input for that matter.
I do not support driver's licenses for undocumented immigrants.
Among other things, the Real ID Act sets minimum security criteria that states would have to meet to have their driver's licenses accepted as identification to board a commercial flight or enter federal facilities.
Just the actual physics of putting it all together, you know, the latter period is actually quite fragmented in terms of the licenses and all those things so it makes a compilation of the full twenty years really a technical minefield.
Was I involved in selling drivers licenses to people illegally? Hell no I wasn't. Would I have tolerated it? Hell no.
In whichever way my music can get out there, I'm just like, 'Sure.' It's also through the TV synch licenses that I've been surviving. I don't really make money through record sales. I used to be really picky: 'No, I don't want it to be the song of a commercial,' but nowadays it's what you need to do to get the song out as much as you can.
The superhero genre speaks to a vast swath of humanity these days, and studios are in the business of constantly renewing their money-printing licenses. I sense we're nearing a saturation point with some of these icons, where it becomes more about the action figures and Happy Meals than it does the mythological heartbeat of the core ideas.
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