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Left Field Quotes
To be honest, and this comes out of left field, but I would love to do something with Jay-Z or Eminem. I have no limitations when it comes to the stuff I want to do musically. So to be able to do something like that I think would be really, really cool.
I can play anywhere. First, third, left field, anywhere but Philadelphia.
It's like a novelist writing far out things. If it makes a point and makes sense, then people like to read that. But if it's off in left field and goes over the edge, you lose it. The same with musical talent, I think.
I'm sure people think that I'm out in left field you know, playing by myself.
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
Robert De Niro
The way those clubs shift against Ted Williams, I can't understand how he can be so stupid not to accept the challenge to him and hit to left field.
Mel is nuts. He puts on a suit and a tie and acts like a normal person so people think he's okay. He's definitely out in left field. He's got the ambition of a boy.
I make no secret of the fact that writing She-Hulk can serve as an opportunity for me to sneak in some really cool characters that I personally love. Some will be obvious fits, but others will come out of left field - but that's what's fun about the Marvel U - the bench is deep.
I get a lot of kids distracted. Sometimes they got to go cover left field, but they're over here talking to me, getting an autograph.
Part of my humor is the fact that I love coming out of left field. I don't want people to expect what is going to happen next.
I think 'Caprica' is a little out of left field, which is kind of what I love about it. It's a little different. The first couple of episodes are really about wrapping your head around this world. I love 'Grey's Anatomy,' but I think it's the same kind of concept: You just get lost in this world, and you believe what they're setting up.
I have to go with the approach I had in Triple-A. I need to take a lot of those fastballs I am seeing to left field. Also must gear up for the changeup and take them up the middle.
I like playing characters that are complex, that are intriguing, that come from left field, that do things that are unexpected. I don't like people who just follow one line and that's it - that's why I could never be in a sitcom, I don't think. They're not intriguing enough for me.
Several record companies had rejected my song 'Owner of A Lonely Heart' on the grounds it was 'too left field.' I never create to make a hit just to satisfy some record company executive's quarterly profit statement.
I'm always very excited by something that's a curveball or from left field.
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