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'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
My voice is my improvisational instrument, the melody instrument. The guitar is harmonic structure. I'm not a good enough guitarist to improvise on it.
I'm not a particularly good cook. Part of it is that it is the kind of cooking anybody could do if they bothered. It's improvisational. I cook with whatever I have laying around.
I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.
I think the best thing I ever did was, years before I got the 'Late Night' show, when I first got out to Los Angeles to be a television writer, the first thing I did was I signed up to take improvisational classes... And I studied that for years, and I really loved it.
My act is sort of improvisational. I have a skeleton in my head, but no fat or skin on it.
I also thought of playing improvisational jazz and I did take lessons for a while. At first I tried to write fiction by making up things that were completely alien to my life.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
The improvisational nature of jazz musicianship is such that a truly competent performer must be prepared to function as an on-the-spot composer who is expected to contribute to the orchestration in progress, not simply to execute the score as it is written and rehearsed.
Since being diagnosed with Asperger's, I'd been working with an acting coach who has now become a good friend. We'd been trying lots of improvisational techniques to help me with some of the problems I experience. But it's a very slow process.
Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened.
I hate it, it is tedious... when I write for my act, it is very improvisational, I write bullet points, I cannot sit in front of a computer; that is not my style.
Part of this new world of completely improvisational terrorism is that there were codes of war that disintegrated in the face of terrorism.
I have a reputation for being an improvisational actor, which is true, but I also know what I'm doing so that if the improvisational strand doesn't work I can go back to what I know's already there.
Ben was more improvisational, and relied less on methodology, and basically is a guitarist who switched to bass, whereas Jeff has a more traditional approach to playing bass in a band, and has a great sense of what his band sounds like, and we lock up nicely.
I've always believed acting is an improvisational art form, even when not a single line is changed. I mean, the behavior should always be improvised. My favorite moments in any performance are when I'm just along for the ride; when I'm surprising myself. I know when I'm done and I think to myself, 'Gee, I didn't see that coming,' I've done well.
Trevor St. John
Korean cinema is very improvisational, and there is a unique power that stems from this.
A certain rough-around-the-edges improvisational looseness - a sense of something coming together before your eyes, or not quite - may be one of the things that distinguishes performance art from theater.
Jam Cruise is actually a comfortable place for me. My jamming skills and my improvisational skills have improved immensely as I've gone more solo, because I've had this opportunity.
I started off at the Second City in Chicago... It's an improvisational theater that ostensibly does social and political satire, but when I was there, we generally didn't. We did character work, and we did just the silliest things we could think of. We weren't all that concerned with, you know, changing the world through mime.
I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel like the show is for them.
This is why improvisational music and comedy is so inspiring: You are seeing something being born, and that energy, there is no substitute for. These songs, most of them, are about a minute old when you hear them.
It's not so much that I got that idea at some point, it came up naturally because of the improvisational nature of the story I was telling.
When it's a sharing and improvisational meeting, where you're riffing off other people's ideas, that actually can be productive.
I tend to a lot of improvisational ranting, and that's fun. For me, stand-up has been, performance-wise, a really good outlet.
Martin Luther King, Jr.
C. S. Lewis
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