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I think I draw most inspiration from writers like Richelle Mead and filmmakers like John Hughes. They both really understand the experience of being a teenager and how insistent and intense everything feels, but they're also smart, savvy, and fun.
We don't have a monopoly. Anyone who wants to dig a well without a Hughes bit can always use a pick and shovel.
Growing up, I supported Manchester United, and my hero was Mark Hughes.
Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
I'm a huge fan of John Hughes and can say that 'Planes, Trains and Automobiles' is easily a top 3 favorite. I'm also a huge fan of all the Second City talent, and I think my Dad and Bill Murray are long lost twins.
It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their feet.
My story is really an affirmation of my strength and my luck. To live with a great artist like Ted Hughes or Mick Jagger is a very, very destructive role for a woman trying to be herself. In fact, it can't be done.
They held up 'The Outlaw' for five years. And Howard Hughes had me doing publicity for it every day, five days a week for five years.
After a year or so I really thought I was Howard Hughes. Here I was at eighteen years old, getting all these checks.
Michael J. Fox
I don't agree with everything he did in his life, but we're dealing with this Howard Hughes, at this point. And also ultimately the flaw in Howard Hughes, the curse so to speak.
The Howard Hughes I knew began to change after his plane crash in 1941.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
There was a policy at Hughes against drinking at lunch, but the men ignored it.
I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.
When I was about 14, in about 1984, I decided to become a great poet. Faber & Faber was going to publish me, and when Ted Hughes read my first anthology he would invite me to Yorkshire for meat pies and mentorship.
I think when romantic comedies are done well, it's a great genre. 'When Harry Met Sally' is kind of a benchmark for me, but I'm very happy to admit that I love 'Pretty Woman.' I do! It's a great film, and so is 'Sixteen Candles.' I was a big John Hughes fan - still am. I have moments where I have to watch a Hughes film.
I didn't know who Langston Hughes was till he met me backstage.
I was just after Generation X. I missed the John Hughes movies; I had to watch them on TBS.
Freddie Prinze, Jr.
John Hughes had such a huge impact on filmmaking.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
Howard Hughes was able to afford the luxury of madness, like a man who not only thinks he is Napoleon but hires an army to prove it.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
In the years since I worked with John Hughes, there were many years where I literally had hundred of doors slammed in my face because I wasn't that kid anymore, and I wasn't a character actor, and I wasn't a leading man, and I wasn't whatever Hollywood was looking for.
Anthony Michael Hall
As I walked up the imposing steps of the Royal Academy, I came fact to face with Alwen Hughes. She looked just as stunning as she had done in my first year at art school.
You can talk about Michael Jackson all you want, but John Hughes was the soundtrack to my 1980s life.
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
A. P. J. Abdul Kalam
Martin Luther King, Jr.
Leonardo da Vinci
Image of the Moment
Time is what we want most, but what we use worst.
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