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What people don't understand is joining a gang ain't bad, it's cool, it's fine. When you in the hood, joining a gang it's cool because all your friends are in the gang, all your family's in the gang. We're not just killing people every night, we're just hanging out, having a good time.
Sometimes you almost have to laugh to keep from crying to deal with the pain associated with the 'hood.
Matangi's mantra is aim, which is MIA backwards. She fights for freedom of speech and stands for truth, and lives in the ghetto because her dad was the first person in Hindu mythology who came from the 'hood, but had gained enlightenment through not being a Brahmin.
A leader is the one who can outline the broad vision and the direction, and say here's where we are going to go, here's why we need to go there, and here's how we are going to get there. A manager is the one who actually gets up under the hood and tunes the carburetor.
She's like a Barbie, then she wants to be a superhero, or coming out of a spaceship and everything's pink. She makes a certain move that's ghetto hood mixed with a little robot so its like I'm evolving Nicki Minaj and developing her style. She's fearless, and I love her.
Real shapes and real patterns are things you would observe in nature, like the marks on the back of a cobra's hood or the markings on a fish or a lizard. Imaginary shapes are just that, symbols that come to a person in dreams or reveries and are charged with meaning.
I grew up in the 'hood around prostitutes, drug dealers, killers, and gangbangers, but I also grew up juxtaposed: On the doorknob outside of our apartment, there was blood from some guy who got shot; but inside, there was National Geographic magazines and encyclopedias and a little library bookshelf situation.
I don't want to be in somebody else's movie, and then they make all the money. I've gotten offers to do the movies, but I won't sell myself short and be in somebody else's movie, like 'Boyz N the Hood.' I don't think I woulda done that.
When you think of Grimm's fairy tales, they are deeply, deeply psychological. They're so powerful, so bloody, and really, really disturbing. Think about five-year-olds reading that stuff. Even 'Little Red Riding Hood' is a really freaky story. Grandma is gobbled up by a wolf, and the wolf is going to eat the girl. That's scary stuff.
I, and others like me - trap stars - we always considered ourselves Robin Hoods: we go out and get the money. Just think, if you was in the village and you a hunter, you take pride in going out to hunt the prey and bring it back for the village to eat. In our situation, we took pride in getting money so that the hood could eat.
There's never really been a real hood Christmas movie.
We found a way to make things look great to the human eye through the window of a graphical web browser without worrying about what everything looked like under the hood.
Why is it so hard for people to believe that white people are poor?! I wouldn't say I lived in a ghetto; I'd say I lived in the 'hood. The same friends I had back then are the same people on tour with me now.
Faced with the way the system does you in the 'hood sometimes, if you don't literally get out, your chances are slim. You'll definitely die mentally. You'll pretty much die physically.
I always liked the idea that America is a big facade. We are all insects crawling across on the shiny hood of a Cadillac. We're all looking at the wrapping. But we won't tear the wrapping to see what lies beneath.
I grew up in Oklahoma and Missouri, and I just loved film. My folks would take us to the drive-in on summer nights, and we'd sit on the hood of the car. I just had this profound love for storytelling.
The 'American Idol' and 'X Factor' shows, they're great shows. But I think I need to make a show like that, directed straight to the hood, to the artists that don't get the attention, that don't have the money to make themselves representable.
When you a ghetto star, when you a hood star, you gonna take care of your grandmother, your mother. When you on that next level, you gotta take care of the city, the streets.
I think if you were to really peek under the hood of what got Aerosmith back again for our second life in the Eighties, you'll find out that it's exactly this, it's the willingness to take a risk.
I grew up on the west side of Detroit - 6 mile and Wyoming - so I was really in the 'hood. And I would go to school at Detroit Waldorf, and that was not the 'hood. Growing up in Detroit was good. I had a good perspective, a well-rounded one, and not being one-sided.
After a show, I'll get the 16-year-old white kid whose lip is pierced, his head is shaved and his parents hate him, and the young gangster from the screwed-up 'hood, and they say that now they realize there's someone out there who thinks like they do.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
Trying to please everyone can be very hard, but, like 'Shrek' or 'The Simpsons,' 'Robin Hood' manages to entertain adults and children at the same time, but in different ways.
Richard C. Armitage
Extraordinarily, I was up in the cemetery in Derry City, and I had a red cape on with a fur hood as a little girl, when a gun battle broke out between the IRA and the British Army, and I got caught in the crossfire.
Rap is supposed to be about keeping it real and not relinquishing your roots in the community. Without that, it's just posturing. Somebody who claims to speak for the 'hood don't need no private jet.
C. S. Lewis
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